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The recent ‘turn to affect’ in social and cultural research has been built on the notion of affect as a kind of excess. Affect is contrasted with the discursive and the cognitive, and distinguished from ‘domesticated’ emotion. The focus is on the presumed direct hit of events on bodies and on what is sensed rather than known. This formulation in combination with the need for new methods has disconnected discourse studies from research on affect. In common with other recent critics, I argue that the formulation of affect as an excess is unsustainable. I focus here, however, on the methodological consequences. The objective of affect research is to produce textured, lively analyses of multiple modes of engagement and to understand the working of power through patterns of assemblage. Intriguingly, fine-grain studies of discursive practice might realize these aims more effectively than some new, ‘non …