View article

This study provides the first detailed analysis of not only the works of contemporary queer visual activists in South Africa but of the networks, both local and global, through which their work is produced, circulated and takes its meaning. Through exploring the ways in which queer visual activists in South Africa move between recognised art institutions and grassroots organisations, building communities and political networks, I develop a nuanced understanding of how queer visual activism operates as a mode of expression in South Africa; one that situates activism beyond the image, performance or artefact.

This project is a study of queer visual activism in contemporary South Africa, based on fieldwork data collected in 2015 and 2016 through participant observation, semistructured, in-depth interviews (on average 1h 25 minutes) with 21 people,(recruited through purposive and snowball sampling techniques), and analysis of their visual practice. Ten of the original sixteen interviewees were also involved in a process of participatory analysis. My analyses focus on the work of FAKA, Robert Hamblin, Selogadi Mampane, Collen Mfazwe, Kate Arthurs, Dean Hutton, Zanele Muholi, Athi Patra-Ruga.