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It has become common for contemporary media and cultural theorists to claim that “there is no more outside.” Such a position pushes the idea of a horizontally organized information society to the extreme and fails to account for how exclusion is a condition of possibility. This essay analyses how a “constitutive outside” functions within the creative industries as a result of the exploitation of the intellectual property generated by labourpower. The essay develops the notion of an outside as it figures in Adorno’s method of immanent critique and Deleuze’s logic of immanence. Finally, the essay examines how the constitutive force of an outside is a key component of Innis’s theories of communications media and cultural formation. Overall, the essay argues that a political theory of mediaculture is one that addresses how the outside operates as an affirmative force that holds the capacity for transformation.