| From cultural intermediaries to platform adaptors: The transformation of music planning and artist acquisition in the Chinese music industry Q Zhang, K Negus new media & society, 14614448241232086, 2024 | 2 | 2024 |
| Book Review: Made in Hong Kong: Studies in Popular Music K Negus Global Media and China, 20594364231169076, 2023 | | 2023 |
| Creating an Oriental Fantasy: Transnational Game Production and New Nationalism in Honor of Kings KN Zhou Zheng Popular Music Climates. Proceedings from the XXI Biennial Conference of …, 2023 | | 2023 |
| Guochao music and new Chinese identities: Gender, generation, and nation KN Yuting Chen Popular Music Climates. Proceedings from the XXI Biennial Conference of …, 2023 | | 2023 |
| Authenticity, empathy, and the creative imagination K Negus, P Astor Rock Music Studies 9 (2), 157-173, 2022 | 8 | 2022 |
| Postcolonial paths of pop: a suburban psychogeography of George Michael and Wham! K Negus, A Sledmere Popular Music 41 (2), 131-151, 2022 | | 2022 |
| Stages, platforms, streams: The economies and industries of live music after digitalization Q Zhang, K Negus Popular music and society 44 (5), 539-557, 2021 | 50 | 2021 |
| Perspectives on cultural economy: personal, institutional, historical K Negus Journal of Cultural Economy, 1-6, 2021 | | 2021 |
| Eurasian entanglements: notes towards a planetary perspective of popular music histories K Negus, H Shin Popular Music 40 (1), 158-164, 2021 | | 2021 |
| The Singles: A Playlist for Framing Dylan's Recording Art K Negus Cambridge University Press, 2021 | | 2021 |
| East Asian pop music idol production and the emergence of data fandom in China Q Zhang, K Negus International Journal of Cultural Studies 23 (4), 493-511, 2020 | 121 | 2020 |
| Nation-states, transnational corporations and cosmopolitans in the global popular music economy K Negus Global Media and China 4 (4), 403-418, 2019 | 9 | 2019 |
| From creator to data: the post-record music industry and the digital conglomerates K Negus Media, culture & society 41 (3), 367-384, 2019 | 144 | 2019 |
| Copy rights: The politics of copying and creativity J Street, K Negus, A Behr Political Studies 66 (1), 63-80, 2018 | 8 | 2018 |
| Musicians on Television at the BBC, 1936-1972 K Negus Goldsmiths, University of London Discussion Paper, 2018 | | 2018 |
| Understanding musical copyright in the digital age A Behr, K Negus, J Street LSE Business Review, 2017 | | 2017 |
| Copying, copyright and originality: imitation, transformation and popular musicians K Negus, J Street, A Behr European Journal of Cultural Studies 20 (4), 363-380, 2017 | 19 | 2017 |
| The corporate strategies of the major record labels and the international imperative K Negus Global Repertoires, 21-31, 2017 | 18* | 2017 |
| The sampling continuum: musical aesthetics and ethics in the age of digital production A Behr, K Negus, J Street Journal for Cultural Research 21 (3), 223-240, 2017 | 35 | 2017 |
| The gendered narratives of nobodies and somebodies in the popular music economy K Negus The Routledge Research Companion to Popular Music and Gender, 152-165, 2017 | 11 | 2017 |
