‘Les Misérables’ and its Afterlives: Between Page, Stage, and Screen. Edited by Kathryn M. Grossman and Bradley Stephens A Watts French Studies 71 (3), 423-424, 2017 | | 2017 |
‘The Girl with the Golden Eyes’ and Other Stories A Watts The Modern Language Review 109 (3), 807-808, 2014 | | 2014 |
«Rien ne crie plus fort que le silence»: L’auberge rouge de Jean Epstein A Watts CinémAction 173, 2019 | 1 | 2019 |
A far cry from Saumur? A Watts LAnnee balzacienne 21 (1), 289-304, 2020 | | 2020 |
A la recherche des ‘Illusions perdues’ A Watts French Studies 59 (4), 552-553, 2005 | | 2005 |
A MATTER OF (BAD) TASTE? HONORÉ DE BALZAC'S CONTES DROLATIQUES IN ENGLAND AND AMERICA A Watts French Studies Bulletin 32 (118), 11-14, 2011 | 1 | 2011 |
À mille lieues de Saumur? Ré-inventer Balzac pour la radio avec «Eugénie Grandet»(BBC, 2014) A Watts L'Année balzacienne, 289-304, 2020 | | 2020 |
A woman of thirty A Watts FRENCH STUDIES 71 (4), 583-584, 2017 | | 2017 |
Adapting Balzac in Jacques Rivette’s Ne Touchez pas la hache (Don’t Touch the Axe): Violence and the Post-Heritage Aesthetic A Watts Screening European Heritage: Creating and Consuming History on Film, 145-162, 2016 | 1 | 2016 |
Adapting nineteenth-century france: literature in film, theatre, television, radio and print K Griffiths, A Watts University of Wales Press, 2013 | 13 | 2013 |
Aller (s)-retour (s): Nineteenth-century France in Motion L Guyon, A Watts Cambridge Scholars Publishing, 2014 | 1 | 2014 |
An Exercise in International Relations, or the Travelling Salesman in Touraine: Balzac's" L'Illustre Gaudissart" A Watts, S Capitanio Currencies: Fiscal Fortunes and Cultural Capital in Nineteenth-Century France, 2005 | 3 | 2005 |
An overwritten mystery: Balzac, television, and une ténébreuse affaire A Watts (Re)-writing wrongs: French crime fiction and the palimpsest, 95-110, 2014 | 1 | 2014 |
Balzac avant Balzac A Watts French Studies 62 (3), 345-346, 2008 | | 2008 |
Balzac before Balzac A Watts FRENCH STUDIES 62 (3), 345-346, 2008 | | 2008 |
Balzac British Style-Avarice, Austerity, and the Tight Spaces of Rex Tucker’s Eugénie Grandet (BBC 2, 1965–1966) A Watts Revue Balzac 2018 (1), 37-54, 2018 | | 2018 |
Balzac British Style: Avarice, Austerity and the Tight Spaces of Rex Tucker's Eugénie Grandet (BBC 2, 1965-66) A Watts Revue Balzac 2018 (1), 37-54, 2018 | | 2018 |
Balzac et al: family scenographies of the historical conflicts in the novel of the nineteenth century A Watts FRENCH STUDIES 71 (2), 277-278, 2017 | | 2017 |
Balzac et consorts: scénographies familiales des conflits historiques dans le roman du XIXe siècle par Pascale Auraix-Jonchière A Watts French Studies: A Quarterly Review 71 (2), 277-278, 2017 | | 2017 |
Balzac et consorts: scénographies familiales des conflits historiques dans le roman du xixe siècle. Textes réunis et présentés par Pascale Auraix-Jonchière A Watts French Studies 71 (2), 277-278, 2017 | | 2017 |