| Preserving the provinces: small town and countryside in the work of Honoré de Balzac A Watts Peter Lang, 2007 | 16 | 2007 |
| Adapting nineteenth-century france: literature in film, theatre, television, radio and print K Griffiths, A Watts University of Wales Press, 2013 | 13 | 2013 |
| Mapping memory in nineteenth-century French literature and culture SR Harrow, W Andrew Rodopi, 2012 | 7 | 2012 |
| Mao's China in the Mirror: Reversing the Exotic in Dai Sijie's Balzac et la Petite Tailleuse chinoise A Watts Romance Studies 29 (1), 27-39, 2011 | 7 | 2011 |
| The Cambridge Companion to Balzac O Heathcote, A Watts Cambridge University Press, 2017 | 6 | 2017 |
| Two Tales of One City: Balzac and the Decline of Tours A Watts French Studies Bulletin 27 (99), 37-40, 2006 | 5 | 2006 |
| The history of French literature on film K Griffiths, A Watts Bloomsbury Publishing USA, 2020 | 3 | 2020 |
| Models for surveillance data under reporting delay: applications to US veteran first-time suicide attempters Y Xia, N Lu, I Katz, R Bossarte, J Arora, H He, JX Tu, B Stephens, A Watts, ... Journal of applied statistics 42 (9), 1861-1876, 2015 | 3 | 2015 |
| Balzac on the BBC: Serial Breaks and Adaptive Returns in Père Goriot (1968) A Watts Dix-Neuf 18 (2), 180-192, 2014 | 3 | 2014 |
| An Exercise in International Relations, or the Travelling Salesman in Touraine: Balzac's" L'Illustre Gaudissart" A Watts, S Capitanio Currencies: Fiscal Fortunes and Cultural Capital in Nineteenth-Century France, 2005 | 3 | 2005 |
| Cambridge Companion to Balzac A Watts Cambridge University Press, 2017 | 2 | 2017 |
| Introduction: Multimedia Adaptation and the Pull of Nineteenth-Century France K Griffiths, B Stephens, A Watts Dix-Neuf 18 (2), 126-133, 2014 | 2 | 2014 |
| Cracks in a cartoon landscape: Fragmenting memory in Posy Simmonds''Gemma Bovery' A Watts Essays in French Literature and Culture, 45-65, 2011 | 2 | 2011 |
| New Directions in Nineteenth-Century French Studies L Duffy, A Watts, M Belenky Dix-Neuf 25 (3-4), 173-180, 2021 | 1 | 2021 |
| «Rien ne crie plus fort que le silence»: L’auberge rouge de Jean Epstein A Watts CinémAction 173, 2019 | 1 | 2019 |
| Adapting Balzac in Jacques Rivette’s Ne Touchez pas la hache (Don’t Touch the Axe): Violence and the Post-Heritage Aesthetic A Watts Screening European Heritage: Creating and Consuming History on Film, 145-162, 2016 | 1 | 2016 |
| An overwritten mystery: Balzac, television, and une ténébreuse affaire A Watts (Re)-writing wrongs: French crime fiction and the palimpsest, 95-110, 2014 | 1 | 2014 |
| Aller (s)-retour (s): Nineteenth-century France in Motion L Guyon, A Watts Cambridge Scholars Publishing, 2014 | 1 | 2014 |
| Balzac, Grandville, and the Rise of Book Illustration A Watts French Studies 67 (4), 570-570, 2013 | 1 | 2013 |
| Les spectres muets: L’adaptation de Balzac dans «Narayana» et «The Conquering Power» A Watts L’Année balzacienne, 213-229, 2012 | 1 | 2012 |
