| An art world for artgames F Parker Loading... 7 (11), 2013 | 117 | 2013 |
| The Missing Producer: Rethinking indie cultural production in terms of entrepreneurship, relational labour, and sustainability JR Whitson, B Simon, F Parker European Journal of Cultural Studies 24 (2), 606-627, 2021 | 116 | 2021 |
| Megabooth: The cultural intermediation of indie games F Parker, JR Whitson, B Simon new media & society 20 (5), 1953-1972, 2018 | 88 | 2018 |
| Indie game studies year eleven F Parker Proceedings of DiGRA 2013 Conference, 2013 | 79 | 2013 |
| Canonizing Bioshock Cultural Value and the Prestige Game F Parker Games and Culture 12 (7-8), 739-763, 2017 | 62 | 2017 |
| The significance of jeep tag: On player-imposed rules in video games F Parker Loading... 2 (3), 2008 | 58 | 2008 |
| Canadian indie games between the global and the local F Parker, J Jenson Canadian journal of communication 42 (5), 867-891, 2017 | 55 | 2017 |
| Roger ebert and the games-as-art debate F Parker Cinema Journal 57 (3), 77-100, 2018 | 40 | 2018 |
| Millions of Voices: Star Wars, Digital Games, Fictional Worlds, and Franchise Canon F Parker Game On, Hollywood! Essays on the Intersection of Video Games and Cinema …, 2013 | 21 | 2013 |
| There’s Always an Introduction F Parker, J Aldred Beyond the Sea: Navigating BioShock, 3-26, 2018 | 20 | 2018 |
| Streaming ambivalence: Livestreaming and indie game development F Parker, ME Perks Convergence 27 (6), 1735-1752, 2021 | 14 | 2021 |
| Autonomy, Integration, and the Work of Cultural Intermediation in Indie Games BS Matthew E Perks, Felan Parker, Jennifer R Whitson, Bart Simon, Gabrielle ... Media Industries 6 (2), 17-38, 2019 | 14* | 2019 |
| Playing Games With Art: The Cultural and Aesthetic Legitimation of Digital Games F Parker York University, 2014 | 14 | 2014 |
| In the Domain of Optional Rules: Foucault’s Aesthetic Self-Fashioning and Expansive Gameplay F Parker Proceedings of the 2011 Philosophy of Computer Games Conference, Panteion …, 2011 | 8 | 2011 |
| Boutique indie: Annapurna interactive and contemporary independent game development F Parker Independent Videogames, 129-147, 2020 | 7 | 2020 |
| Official apocrypha: Elseworlds, what if...? and the transmedia franchise F Parker paper delivered at New Narrative Conference, Toronto, 2010 | 6 | 2010 |
| From Comic-Con to Amazon: Fan conventions and digital platforms MES Kohnen, F Parker, B Woo New Media & Society, 14614448231165289, 2023 | 4 | 2023 |
| Role-playing the caper-gone-wrong film in Fiasco F Parker Analog Game Studies 2 (2), 97-104, 2015 | 4 | 2015 |
| Infinite typewriters: Canon, criticism, and BioShock F Parker Firstpersonscholar. com, 2014 | 3 | 2014 |
| Speed Runs, Jeep Jumps and Zombie: Expansive Gameplay and Halo F Parker Halo and Philosophy 59, 2011 | 3* | 2011 |
