| Transculturalism in Post-independence Zimbabwean Drama: Projections of Zimbabwean Theatre at the Onset of a New Millennium. O Seda University of Zimbabwe Publications, 2004 | 24 | 2004 |
| Power dynamics in applied theatre: interrogating the power of the university-based TfD facilitator–the UZ theatre and CARE Zimbabwe's Zvishavane/Mberengwa NICA project and SSFP … O Seda, N Chivandikwa Research in Drama Education: The Journal of Applied Theatre and Performance …, 2014 | 8 | 2014 |
| Histories 1850-1950 Y Hutchison Oxford, 2010 | 8 | 2010 |
| Interculturalism in post-colonial Zimbabwean drama: Projections of an alternative theatre at the onset of the new millennium O Seda Unpublished doctoral thesis). University of Zimbabwe, Harare, 2011 | 6 | 2011 |
| Intrusive hegemonies and localised identities in early South African drama and theatre: 1880 to 1930 M Sirayi, O Seda South African Journal of African Languages 35 (1), 131-137, 2015 | 5 | 2015 |
| The Fourth Dimension. Dambudzo Marechera as a Dramatist–An Analysis of Two Plays OS Seda Matatu 34 (1), 147-158, 2007 | 5 | 2007 |
| Community Based Theatre as Oral Literature in Contemporary Zimbabwe,” O Seda African Oral Literature: Functions in Contemporary Contexts, 92-99, 2001 | 5 | 2001 |
| Civil society, religion and applied theatre in a kairotic moment–preliminary reflections on a project on political violence and torture in Zimbabwe, 2001–2002 O Seda, N Chivandikwa Commonwealth Youth and Development 14 (2), 81-91, 2016 | 4 | 2016 |
| Ambivalent Narratives of Traditional African Womanhood as Normalising Discourse in Ama Ata Aidoo's The Dilemma of a Ghost O Seda Journal of Literary Studies 32 (1), 32-42, 2016 | 4 | 2016 |
| Border crossings—A Transatlantic project in community-based theatre: Performing the bus stop journals O Seda Theatre Topics 18 (2), 183-190, 2008 | 4 | 2008 |
| Transgressive marginalities in youth pop culture: negotiating the challenges of the post-colony in contemporary Zimbabwe O Seda, N Muwonwa South African Theatre Journal 36 (1), 16-33, 2023 | 3 | 2023 |
| Occupational Health and Safety concerns within the live events industry at selected venues in Gaborone, Botswana: a pragmatic and utilitarian approach K Khiba, O Seda, A Fourie South African Theatre Journal 36 (1), 34-55, 2023 | 2 | 2023 |
| Theatre from Rhodesia to Zimbabwe: Hegemony, Identity and a Contested Postcolony S Ravengai, O Seda Palgrave Macmillan, 2021 | 2 | 2021 |
| ‘I Was Never a White Girl and I Do Not Want to Be a White Girl’: Albinism, Youth Theatre and Disability Politics in Contemporary Zimbabwe CA Chinhanu, N Chivandikwa, O Seda Theatre from Rhodesia to Zimbabwe: Hegemony, Identity and a Contested …, 2021 | 2 | 2021 |
| Theatre in Combat with Violence: The University of Zimbabwe Department of Theatre Arts and Amani Trust Popular Travelling Theatre Project on Political Violence and Torture-Some … O Seda, N Chivandikwa Matatu, 15, 2013 | 2 | 2013 |
| Mapping Africa in the English speaking world: Issues in language and literature SE Ellece, KC Monaka, OS Seda Cambridge Scholars Publishing, 2010 | 2 | 2010 |
| Cula Mzansi: Towards Strategic Transformation of Operatic Culture in Post-Apartheid South Africa MJ Nomcweya, O Seda, NG Mugovhani Communicatio 47 (2), 61-78, 2021 | 1 | 2021 |
| Redemptive Apotheosis and Joseph Campbell’s Narrative of the Hero’s Journey: August Wilson’s Joe Turner’s Come and Gone Revisited O Seda Imbizo 11 (2), 15 pages-15 pages, 2020 | 1 | 2020 |
| The Strategic Repositioning of Arts, Culture and Heritage in the 21st Century G Mugovhani, O Seda Cambridge Scholars Publishing, 2018 | 1 | 2018 |
| Performing Masculinity and the Crisis of Transclass Man in August Wilson’ s Drama KB Khan, O Seda Commonwealth Youth and Development 15 (2), 10 pages-10 pages, 2017 | 1 | 2017 |