| Movie Migrations: Transnational Genre Flows and South Korean Cinema HS Chung, DS Diffrient Rutgers University Press, 2015 | 68 | 2015 |
| Omnibus Films: Theorizing Transauthorial Cinema DS Diffrient Edinburgh University Press, 2014 | 35 | 2014 |
| A film is being beaten: Notes on the shock cut and the material violence of horror DS Diffrient Horror Film: Creating and Marketing Fear, 52-81, 2004 | 30 | 2004 |
| Forgetting to remember, remembering to forget: The politics of memory and modernity in the fractured films of Lee Chang-dong and Hong Sang-soo HS Chung, DS Diffrient Seoul Searching: Culture and Identity in Contemporary Korean Cinema, 115-140, 2007 | 29 | 2007 |
| " Military Enlightenment" for the Masses: Genre and Cultural Intermixing in South Korea's Golden Age War Films DS Diffrient Cinema Journal, 22-49, 2005 | 27 | 2005 |
| Han’guk Heroism: Cinematic Spectacle and the Postwar Cultural Politics of Red Muffler DS Diffrient South Korean Golden Age Melodrama: Gender, Genre, and National Cinema/Wayne …, 2005 | 25 | 2005 |
| Screwball Television: Critical Perspectives on Gilmore Girls DS Diffrient, D Lavery Syracuse University Press, 2010 | 22 | 2010 |
| M* a* s* h DS Diffrient Wayne State University Press, 2008 | 20 | 2008 |
| 14. INTERETHNIC ROMANCE AND POLITICAL RECONCILIATION IN ASAKO IN RUBY SHOES HS Chung, DS Diffrient New Korean Cinema, 193, 2005 | 19 | 2005 |
| " Hard to handle": camp criticism, trash-film reception, and the transgressive pleasures of Myra Breckinridge DS Diffrient Cinema Journal 52 (2), 46-70, 2013 | 16 | 2013 |
| The cult imaginary: Fringe religions and fan cultures on American television DS Diffrient Historical Journal of Film, Radio and Television 30 (4), 463-485, 2010 | 13 | 2010 |
| South Korean Film Genres and Art-House Anti-Poetics: Erasure and Negation in" The Power of Kangwon Province" DS Diffrient CineAction, 60-71, 2003 | 13 | 2003 |
| The gift of Gilmore Girls’ gab: Fan podcasts and the task of ‘talking back’to TV DS Diffrient Screwball Television: Critical Perspectives on Gilmore Girls, 79-107, 2010 | 12 | 2010 |
| (Arm) Wrestling with Masculinity: Television, Toughness, and the Touch of Another Man’s Hand DS Diffrient Men and Masculinities 22 (5), 821-849, 2019 | 9 | 2019 |
| Beyond Tokenism and Tricksterism: Bobby Lee, MADtv, and the De(con)structive Impulse of Korean American Comedy D Diffrient The Velvet Light Trap, 41-56, 2011 | 9 | 2011 |
| Filming a Life in Fragments: Thirty Two Short Films about Glenn Gould as "Biorhythmic-Pic" DS Diffrient Journal of Popular Film and Television 36 (2), 91-101, 2008 | 9 | 2008 |
| An Olympic omnibus: International competition, cooperation, and politics in Visions of Eight DS Diffrient Film & History: An Interdisciplinary Journal of Film and Television Studies …, 2005 | 9 | 2005 |
| Cabinets of cinematic curiosities: A critical history of the animated ‘package feature’, from fantasia (1940) to memories (1995) DS Diffrient Historical Journal of Film, Radio and Television 26 (4), 505-535, 2006 | 8 | 2006 |
| Deadwood Dick: The Western (Phallus) Reinvented DS Diffrient Reading Deadwood: A Western to Swear By, 185-199, 2006 | 8 | 2006 |
| Episodes and infinities: Critical approaches to anthology, omnibus, portmanteau, and sketch films DS Diffrient University of California, Los Angeles, 2005 | 8 | 2005 |
