| The relentless pursuit of tone: Timbre in popular music R Fink, M Latour, Z Wallmark Oxford University Press, 2018 | 53 | 2018 |
| Zachary Wallmark, eds. 2018 R Fink, M Latour The relentless pursuit of tone: Timbre in popular music, 0 | 14 | |
| Introduction: Chasing the Dragon: In Search of Tone in Popular Music R Fink, Z Wallmark, M Latour, R Fink, M Latour, Z Wallmark Timbre in Popular Music: The Relentless Pursuit of Tone, 1-18, 2018 | 12 | 2018 |
| Disciplining song in sixteenth-century Geneva M Latour The Journal of Musicology 32 (1), 1-39, 2015 | 12 | 2015 |
| Hearing Luxe Pop: Jay Z, Isaac Hayes, and the Six Degrees of Symphonic Soul.” J Howland The Relentless Pursuit of Tone: Timbre in Popular Music, 185-206, 2018 | 8 | 2018 |
| The sound of nowhere: reverb and the construction of sonic space P Théberge, R Fink, M Latour, Z Wallmark The Relentless Pursuit of Tone: Timbre in Popular Music, 323-344, 2018 | 7 | 2018 |
| Music in the Early Colonial World O Bloechl, M Latour The Cambridge History of Sixteenth-Century Music, 128-55, 2019 | 5 | 2019 |
| Santana and the metaphysics of tone: feedback loops, volume knobs, and the quest for transcendence M Latour, R Fink, Z Wallmark The Relentless Pursuit of Tone: Timbre in Popular Music, 212-32, 2018 | 5 | 2018 |
| Timbre in popular music: The relentless pursuit of tone R Fink, Z Wallmark, M Latour Oxford University Press, 2018 | 3 | 2018 |
| The Voice of Virtue: Moral Song and the Practice of French Stoicism, 1574-1652 M Latour Oxford University Press, 2023 | 2 | 2023 |
| Auto-Tune, Labor, and the Pop-Music Voice P Catherine, F Robert, L Melinda, W Zachary The Relentless Pursuit of Tone: Timbre in Popular Music, Oxford, Oxford …, 2018 | 2 | 2018 |
| The Performance of Friendship: Paschal de L’estocart and His Circle at the University of Basel, 1581–1583 M Latour Music & Letters 102 (3), 411-441, 2021 | | 2021 |
| Musical Encounters in Tenochtitlàn/Mexico City M LATOUR People 179, 81, 0 | | |
| Inclusion in this list neither implies nor precludes subsequent review. The editors regret that material sent for review cannot be acknowledged or returned. Black Opera … R Fink, M Latour | | |
