| Postmodernism and paradigm shift in theory and practice of theatre CC Nwosu Onitsha: Eagleman Books, 2014 | 29 | 2014 |
| Survivalist Strategy for Reviving and Sustaining Live Theatre Performances in Nigeria: An Analysis of the Future of Live Theatres in Imo State CC Nwosu Nigerian Theatre Journal 8 (1), 170-183, 2005 | 9 | 2005 |
| Between Adaptation and Appropriation: Re-Reading Albert Camus’ Absurdism in Sonny Sampson–Akpan’s Found and Lost CC Nyosu, U Dikson International Journal of Art and Art History 3 (2), 31-45, 2015 | 5 | 2015 |
| From worship to commodification: Wole Soyinka and sanctity of the sacred in Swamp Dwellers and Trials of Brother Jero CCN Chinonye Marchie International Journal 3 (1), 121-144, 2015 | 5 | 2015 |
| The National Question and Theatre of Relevance CC Nwosu Nigerian Theatre Journal ISSN 0189 9562, 2004 | 5 | 2004 |
| Colonial alienation and postcolonial marginality in African drama: Implications for lasting peace in Africa C Nwosu, S Arinze-Umobi International Journal of Art and Art History 4, 101-28, 2016 | 4 | 2016 |
| Evolving a Performance Oriented Critical Theory For African Post Modern Theatre Practice CC Nwosu Unpublished PhD Dissertation. Department of Theatre and Film Studies, UNN August, 2011 | 4 | 2011 |
| Sowing for the Reapers: The Igbo, the Nigerian Project and Nollywood Harvests A Asigbo, C Nwosu Nigerian Theatre Journal: A Journal of the Society of Nigeria Theatre …, 2019 | 2 | 2019 |
| Child Rights Campaign and the Nigerian Family: Implications for Effective Child Development System in Africa CC Nwosu, OOC Uche African Research Review 11 (4), 90-109, 2017 | 2 | 2017 |
| Between Loyalty and Transgression: Towards a Feminist Deconstruction of Cultural Taboos against Young Lovers in Africa CC Nwosu Re/Presenting Gender and Love, 57-66, 2015 | 2 | 2015 |
| Playwriting, Corruption and the Government Sector in a Depressed Economy: An Analysis of Osofisan’s Who is Afraid of Solarin? E Ebo, C Nwosu Nigerian Theatre Journal 9 (1), 40-51, 2006 | 2 | 2006 |
| Needs” and Youth Restiveness in Bayelsa State: The Imperative of Theatre on the Raft for Conflict Resolution and Development” CC Nwosu st Annual Conference of the Society of Nigerian Theatre Artists (SONTA …, 0 | 2 | |
| Adolphe Appia’s Directorial Concepts as Footnote for Performing African Postmodernism CC Nwosu Journal of Fine Arts 2 (1), 17-27, 2019 | 1 | 2019 |
| African feminism and Zulu Sofola’s Paradigm shift in the sweet trap CC Nwosu, NA Chielotam Journal of Modern European Languages And Literatures 4, 193-207, 2015 | 1 | 2015 |
| Social media and patronage of live theatre in Nigeria E Essien Sankofa 4 (1), 20-31, 2015 | 1 | 2015 |
| Patterns of Socio-economic Change and Child Development in Africa CC Nwosu Children and Childhood: Practices and Perspectives, 169-179, 2013 | 1 | 2013 |
| UKALA’S FOLKISM AND THE POETICS OF PERFORMANCE SPACE CC Nwosu, N Ihekwoaba Ama: Journal Of Theatre And Cultural Studies 14 (1), 2023 | | 2023 |
| THE TEACHER OF TEACHERS AS DEVELOPER OF HUMAN RESOURCES: A RE-APPRAISAL OF DAN UWANDU’S “CHILD DEVELOPMENT THROUGH DRAMA…” CC Nwosu Ama: Journal Of Theatre And Cultural Studies 15 (1), 2023 | | 2023 |
| Westernism and the sacred in African drama: An analysis of Tsegaye Gabre Medhin’s Oda Oak Oracle and Kalu Uka’s Ikhamma CC Nwosu, E Okolie Creative Artist: A Journal of Theatre and Media Studies 16 (1), 1-13, 2022 | | 2022 |
| Animated film as a catalyst for child-centered education: The Kings and Queens Nursery and Primary School Nkpor experience. CO Okeh, CC Nwosu Creative Artist: A Journal of Theatre and Media Studies 15 (2), 90-108, 2021 | | 2021 |