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| Pop América 1965-1975 E Gabara, R Aste, S Schroth, R Alonso, N Rosa, P García, J Josten, ... Critique d’art, Catalogues collectifs, 2018 | 9* | 2018 |
| Vontade construtiva: Latin America’s Geometric Abstract Identity C Maroja New Geographies of Abstract Art in Postwar Latin America, 225-239, 2018 | 6 | 2018 |
| Framing Latin American Art: Artists, Critics, Institutions and the Configuration of a Regional Identity C Maroja PhD diss., Duke University, 2015 | 6 | 2015 |
| The Persistence of Primitivism: Equivocation in Ernesto Neto’s A Sacred Place and Critical Practice C Maroja Arts 8 (3), 111, 2019 | 4 | 2019 |
| Transforming Spectators Into Witnesses: Artur Barrio’s Bloody Bundles C Maroja Sztuka i Dokumentacja, 23-29, 2014 | 4 | 2014 |
| From São Paulo to Paris and Back Again. Tarsila do Amaral C Maroja Stedelijk studies 9, 2019 | 3 | 2019 |
| Red Shift: Cildo Meireles and the Definition of the Political-Conceptual C Maroja ARTMargins 5 (1), 30-58, 2016 | 2 | 2016 |
| The Permanence of the Transient: Precariousness in Art C Maroja, C Menezes, F Poltroniere Cambridge Scholars Publishing, 2014 | 2 | 2014 |
| Modernités Plurielles 1905-1970 C Maroja Arte & Ensaios, 212-213, 2013 | 2 | 2013 |
| Going Local: The First Latin American Biennial C Maroja CAA 2019 ANNUAL CONFERENCE, 2019 | 1 | 2019 |
| The Local Context and the Institutional and International Contributions of the 24th Bienal de São Paulo (1998) C Maroja OBOE JOURNAL 4 (1), 2023 | | 2023 |
| Repensando as conexões entre arte e ecologia a partir do sul global C Maroja, VB Siqueira MODOS: Revista de História da Arte 7 (1), 131-139, 2023 | | 2023 |
| Projecting Latin America: Ángel Kalenberg’s Controversial Audiovisual at the Paris Biennial C Maroja Latin American and Latinx Visual Culture 4 (2), 76-85, 2022 | | 2022 |
| Displaying Whose Modernity?: The Bardis and the Museum of Art of São Paulo C Maroja New Histories of Art in the Global Postwar Era, 208-219, 2021 | | 2021 |
| 15 Displaying Whose Modernity? C Maroja New Histories of Art in the Global Postwar Era: Multiple Modernisms, 208, 2021 | | 2021 |
| Angel Kalenberg’s Diorama for the Latin American Section in the X Paris Biennial (1977) C Maroja CAA 2020 ANNUAL CONFERENCE, 2020 | | 2020 |
| Scherezade García: from this side of the Atlantic C Maroja, S García, OU Herrera Art Museum of the Americas, Organization of American States, 2020 | | 2020 |
| Volpi, Alfredo (1896–1988) C Maroja Crossref, 2018 | | 2018 |
| Entrevista com Lynn Zelevansky. C Maroja ARS (São Paulo) 15 (30), 277-291, 2017 | | 2017 |