Articles with public access mandates - Lori BurnsLearn more
Not available anywhere: 4
The Bloomsbury Handbook of Popular Music Video Analysis
S Hawkins, LA Burns
The Bloomsbury Handbook of Popular Music Video Analysis, 1-464, 2019
Mandates: Social Sciences and Humanities Research Council, Canada
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music
L Burns
AMP: American Music Perspectives 1 (2), 98-118, 2020
Mandates: Social Sciences and Humanities Research Council, Canada
Structuring subjectivity: Pain of Salvation’s The Perfect Element: Part I (2000)
LA Burns, P Armstrong
Metal Music Studies 7 (3), 357-382, 2021
Mandates: Social Sciences and Humanities Research Council, Canada
Masculinity and the illness narrative in Pain of Salvation’s In the Passing Light of Day
L Burns
Popular Musicology and Identity, 196-217, 2020
Mandates: Social Sciences and Humanities Research Council, Canada
Available somewhere: 3
The Concept Album as Visual-Sonic-Textual Spectacle: The Transmedial Storyworld of Coldplay’s Mylo Xyloto
L Burns
IASPM@ Journal 6 (2), 91-116, 2016
Mandates: Social Sciences and Humanities Research Council, Canada
Race, gender, and the Billboard Top 40 charts between 1997 and 2007
M Lafrance, C Scheibling, L Burns, J Durr
Popular Music and Society 41 (5), 522-538, 2018
Mandates: Social Sciences and Humanities Research Council, Canada
Conscious hip hop: Lupe Fiasco’s critical teachings on raced and gendered representations
A Woods, L Burns
Journal of Popular Music Education 2 (1-2), 29-44, 2018
Mandates: Social Sciences and Humanities Research Council, Canada
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