Teaching a digital performing agent: Artificial neural network and hidden markov model for recognising and performing dance movement J McCormick, K Vincs, S Nahavandi, D Creighton, S Hutchison Proceedings of the 2014 International Workshop on Movement and Computing, 70-75, 2014 | 33 | 2014 |
Dancing in suits: a performer's perspective on the collaborative exchange between self, body, motion capture, animation and audience. S Hutchison, K Vincs ISEA International, 2013 | 12 | 2013 |
Emergent behaviour: learning from an artificially intelligent performing software agent J McCormick, S Hutchinson, K Vincs, J Vincent Deakin University, 2015 | 10 | 2015 |
Haptically-enabled dance visualisation framework for deafblind-folded audience and artists M Hossny, S Nahavandi, M Fielding, J Mullins, S Mohamed, D Creighton, ... 2015 IEEE International Conference on Systems, Man, and Cybernetics, 446-450, 2015 | 8 | 2015 |
Skin to skin: performing augmented reality K Vincs, A Bennett, J McCormick, JB Vincent, S Hutchison Augmented reality art: From an emerging technology to a novel creative …, 2014 | 6 | 2014 |
META: Notes from a Dancer from Inside a Duet with an AI Agent S Hutchison, J McCormick, K Vincs Proceedings of the 21st International Symposium on Electronic Art (ISEA 2015 …, 2015 | 3 | 2015 |
Feels like dancing: Motion capture-driven haptic interface as an added sensory experience for dance viewing J McCormick, M Hossny, M Fielding, J Mullins, JB Vincent, M Hossny, ... Leonardo 53 (1), 45-49, 2020 | 2 | 2020 |
Recognition: combining human interaction and a digital performing agent J McCormick, A Nash, S Hutchison, K Vincs, S Nahavandi, D Creighton Proceedings of the 2014 Virtual Reality International Conference, 1-5, 2014 | 2 | 2014 |
Authenticity within digital performance: A New framework to understand the relationship between audience, vision technology and scenography T Rixon, G Moyle, S Hutchison, J McKinney Australasian Drama Studies, [253]-289, 2021 | 1 | 2021 |
The crack up K Vincs, S Hutchison, J McCormick, D Skovli, S Taylor, K Wallace, B Lin, ... conference, 2019 | 1 | 2019 |
Eve of dust J McCormick, A Nash, S Hutchison SIGGRAPH Asia 2018 Art Gallery, 1-1, 2018 | 1 | 2018 |
Skin to skin: performing augmented reality K Vincs, A Bennett, J McCormick, JB Vincent, S Hutchison Augmented Reality Art: From an Emerging Technology to a Novel Creative …, 2018 | 1 | 2018 |
META: discourses from dancers inside action machines S Hutchison Deakin University, 2017 | 1 | 2017 |
Collaborative dance between robot and human J McCormick, S Hutchison, J Vincent, K Vincs Workshop on Artistically Skilled Robots as part of 2016 IEEE/RSJ IROS …, 2016 | 1 | 2016 |
Emergence J McCormick, S Hutchison Emergence, 2014 | 1 | 2014 |
Cobotic Improvisations: Fling it! S Hutchison, D Gunasinghe, J Roberts, M Bucolo Australian Cobotics Centre Launch, 2022 | | 2022 |
Crafting scenography environments in and for Extended Reality in'The Guest House' T Rixon, S Hutchison, A Brumpton, Y Browning, J McCormick, N Milford, ... Prague Quadrennial of Performance Design and Space: WHERE ARE WE 2022 Symposium, 2022 | | 2022 |
What robots learn from performative relationships and interactive performance S Hutchison, J McCormick Materializing Digital Futures: Touch, Movement, Sound and Vision, 223, 2022 | | 2022 |
Repeat LP Demers, S Hutchison | | 2019 |
Physical Thinking Prototypes| Post-Digital Calibration S Hutchison | | 2018 |