| Towards an Aesthetics of Belief in Covid19 Pandemic Time: Performatism in Brian Friel’s Dancing at Lughnasa M Badra International Journal of Arabic-English Studies (IJAES) 21 (2), 29-48, 2021 | 7 | 2021 |
| Metatheatre in Brian Friel’s The Loves of Cass McGuire: The Semiotics of Make-Believe M Badra ELOPE: English Language Overseas Perspectives and Enquiries 21 (1), 283-297, 2024 | | 2024 |
| 1. THE DRAMA OF LOVE, RESENTMENT AND FRUSTRATION; SUPRA-REALISM IN BRIAN FRIEL’S LOVERS M Badra JOURNAL OF CRITICAL REVIEWS 11 (3), 25-32, 2024 | | 2024 |
| EXPRESSIONISTIC AND BRECHTIAN VARIATIONS IN BRIAN FRIEL'S THE FREEDOM OF THE CITY M Badra JOURNAL OF CRITICAL REVIEWS 9 (1), 20-27, 2022 | | 2022 |
| THE DOUBLE FIGURE AS A METAPHOR OF EMOTIONAL DICHOTOMY IN BRIAN FFRIEL'S PHILADELPHIA HERE I COME! M BADRA JOURNAL OF CRITICAL REVIEWS 9 (1), 165-173, 2022 | | 2022 |
| A POLITICAL DYSTOPIA IN EXPRESSIONISTIC FORM; DENIS JOHNSTON'S THE OLD LADY SAYS:"NO!" M Badra JOURNAL OF CRITICAL REVIEWS 8 (1), 1166-1173, 2021 | | 2021 |
| BRIAN’FREIL’IN PHILADELPHIA HERE I COME! ADLI ESERINDE İRLAND’NIN SOSYO-EKONOMIK İKİLİĞİNİN BİR NESNEL BAĞLIAŞIMI OLARAK KIŞİŞİLİK BÖLÜNMESİ M BADRA EUROASIA JOURNAL OF SOCIAL SCIENCES & HUMANITIES 7 (17), 1-8, 2020 | | 2020 |
| THE SPLIT IDENTITY AS AN OBJECTIVE CORRELATIVE FOR THE IRISH SOCIOECONOMIC DICHOTOMY IN BRIAN FRIEL'S PHILADELPHIA HERE I COME! M Badra EUROASIA JOURNAL OF SOCIAL SCIENCES & HUMANITIES 7 (7), 1-8, 2020 | | 2020 |
| Poetics, Ritual and Politics in Two Plays by Ṣalah ‘Abd Al-Ṣabur: Toward an Aesthetics of National Regeneration MM Badra Journal of History Culture and Art Research 7 (1), 157-165, 2018 | | 2018 |
| A Revolution in the Making: Three Egyptian Plays after January 25th, 2011 M Badra The International Journal of Literary Humanities 12 (1), 15, 2011 | | 2011 |
| Supra-realism in Shakespeare A comparative Study of Shakespeare's Macbeth and Miller’s Death of a Salesman M Badra Ain Shams Univ. Periodical, 2008 | | 2008 |