| Cinema and nation M Hjort, S MacKenzie Psychology Press, 2000 | 505 | 2000 |
| On the plurality of cinematic transnationalism M Hjort World cinemas, transnational perspectives, 12-33, 2009 | 433 | 2009 |
| Cinema of small nations M Hjort Edinburgh University Press, 2007 | 303 | 2007 |
| Small nation, global cinema: The new Danish cinema M Hjort U of Minnesota Press, 2005 | 285 | 2005 |
| Emotion and the Arts M Hjort, S Laver Oxford University Press, USA, 1997 | 251 | 1997 |
| The postnational self: Belonging and identity U Hedetoft, M Hjort U of Minnesota Press, 2002 | 249 | 2002 |
| The Danish directors: dialogues on a contemporary national cinema I Bondebjerg, AM HJORT Intellect Books, 2003 | 142* | 2003 |
| Themes of nation M Hjort Film & Nation, 2000 | 133 | 2000 |
| Purity and provocation: Dogma 95 M Hjort, S MacKenzie | 118 | 2003 |
| Rules and conventions: Literature, philosophy, social theory M Hjort | 52 | 1992 |
| Dogma 95: A small nation’s response to globalisation M Hjort Purity and provocation: Dogma 95 (2003), 31-47, 2003 | 46 | 2003 |
| Lone Scherfig's Italian for beginners M Hjort University of Washington Press, 2011 | 44 | 2011 |
| Creativity and academic activism: Instituting cultural studies M Morris, M Hjort Hong Kong University Press, 2012 | 41 | 2012 |
| Affinitive and Milieu‐Building Transnationalism M Hjort Cinema at the Periphery, 144-155, 2010 | 40 | 2010 |
| Film and risk M Hjort Wayne State University Press, 2012 | 37 | 2012 |
| The strategy of letters M Hjort Harvard University Press, 1993 | 36 | 1993 |
| Scott MacKenzie, eds. 2000 M Hjort Cinema and Nation, 0 | 36 | |
| The five obstructions M Hjort The Routledge Companion to Philosophy and Film, 631-640, 2008 | 35 | 2008 |
| Naked film: Dogma and its limits B Gaut, M Hjort, S MacKenzie | 35 | 2003 |
| Danish cinema and the politics of recognition M Hjort | 35 | 1996 |
Scott MacKenzieQueen's UniversityVerified email at queensu.ca