| Railed Resistance: Memory and Political Discourse in Julius Angwah's Before our Eyes NM Ebliylu AFO-AKOM: Journal of Culture, Performing and Visual Arts 3 (1), 17-40, 2023 | | 2023 |
| Noise in the Parsi Tower of Silence: Contesting Religious Bigotry in the Chronicles of a Corpse Bearer by Cyrus Mistry NM Ebliylu New Academia: An International Journal of English Language, Literature and …, 2023 | | 2023 |
| Rebuilding Paradise: Islamic Ecosphere in Salman Rushdie's The Satanic Verses NM Ebliylu Language, Literature and the Dynamics of Conflicts, 67-84, 2023 | | 2023 |
| Crises, Communication and University Pedagogy: The Poetics of Living Together in Also on Campus and Symphonic Shades by Ernest Veyu, Daisy Barro and Kelvin Ngong Toh. NM Ebliylu Nigerian Journal of Communication Review NJCRR 2 (1), 20-34, 2023 | | 2023 |
| Is God African or Is God for Africa? Decolonizing Otherisation in Intercultural Communication in Nkemngong Nkengasong' God was African NM Ebliylu The Griot: Journal of the West African Association for Commonwealth …, 2023 | | 2023 |
| Negotiating Afro-Oriental Religious Eco-Political Space and the Modernist Backlash in God Was African by Nkemngong Nkengasong and Chronicles of a Corpse Bearer by Cyrus Mistry NM Ebliylu East-West Cultural Passage 23 (1), 108-138, 2023 | | 2023 |
| State and Society: Contesting the Female Public Space in Salman Rushdie's Shame. NM Ebliylu Intel'Actuel: Revue de Letters et Sciences Humaines, 86-106, 2022 | | 2022 |
| Migrant Identities, Marriages and Parenthood: Interrogating the African Success Story in Jennifer Nansubuga Makumbi's Manchester Happened NM Ebliylu African Journal of Social Sciences: A Multidisciplinary Journal of Social …, 2022 | | 2022 |
| Facing the Mirror of Fundamentalism: Male Failure and Social Frustration in Salman Rushdie's The Satanic Verses NM Ebliylu New Academia: An International Journal of English Language, Literature and …, 2021 | | 2021 |
| Transcultural Spirituality: Greco-Roman and Indian Pantheons in Salman Rushdie's The Ground Beneath Her Feet NM Ebliylu Globalisation and Transitional Ideologies: Moving the Margins Through …, 2021 | | 2021 |
| Salman Rushdie's Other Tongue: Writing Indian Rock 'N' Roll into Being in The Ground Beneath Her Feet NM Ebliylu Annales de la Faculte des Arts, Letters et Sciences Humaines: Melanges …, 2020 | | 2020 |
| Women and Prophetic Visions in Salman Rushdie's The Satanic Verses NM Ebliylu Interdisciplinarity in the 21st Century Global Dispensation: Research in …, 2016 | | 2016 |
| Who's Painting?: Artistic Visuality in Salman Rushdie's The Moor's Last Sigh NM Ebliylu Select Voices from Africa and Asia. New Literatures in English, 2016 | | 2016 |
| The New Wretched of the Earth: Deformed Protagonists in Midnight's Children, Shame and The Moor's Last Sigh NM Ebliylu Subaltern Speak: An International Journal of Post-colonial Studies 3 (2), 2015 | | 2015 |
| New Ways of Perception: Aurora's Painting and National Imaging in Salman Rushdie's The Moor's Last Sigh NMEMT Mbuh Subaltern Speak: An International Journal of Post-colonial Studies 3 (1), 2014 | | 2014 |
| Green Politics:(Re) Writing Environmental Heritage in Salman Rushdie’s The Moor’s Last Sigh ME Nyanchi East-West Cultural Passage 13 (2), 53-71, 2013 | | 2013 |
| Reading between the Lines: Old and New Vulnerabilities A Mitrea East-West Cultural Passage 23 (1), 3-7, 0 | | |
| NYANCHI EBLIYLU Marcel University of Dschang S Rushdie’s | | |
| In the Name of Religion: Sexuality and Taboo in Salman Rushdie’s Shalimar the Clown ME Nyanchi | | |
