| The cinema book P Cook British Film Institute, 2007 | 674 | 2007 |
| Screening the past: Memory and nostalgia in cinema P Cook Routledge, 2004 | 591 | 2004 |
| Fashioning the nation: Costume and identity in British cinema P Cook (No Title), 1996 | 280 | 1996 |
| Duplicity in Mildred Pierce P Cook Women in film noir, 68-82, 1978 | 184 | 1978 |
| Melodrama and the Women’s Picture P Cook Gainsborough Melodrama, 14-28, 1983 | 147 | 1983 |
| Masculinity in crisis? P Cook Screen 23 (3-4), 39-46, 1982 | 125 | 1982 |
| Women and film: a sight and sound reader P Cook, P Dodd (No Title), 1993 | 95 | 1993 |
| The place of woman in the cinema of Raoul Walsh P Cook, C Johnston Feminism and film theory, 25-35, 2013 | 89 | 2013 |
| Film Culture:‘Exploitation’films and feminism P Cook Screen 17 (2), 122-127, 1976 | 78 | 1976 |
| Women RJ Cook | 76 | 1995 |
| Approaching the work of Dorothy Arzner P Cook Feminism and Film Theory, 46-56, 2013 | 63 | 2013 |
| No fixed address: the women's picture from Outrage to Blue Steel P Cook Contemporary Hollywood Cinema, 229-246, 2013 | 58 | 2013 |
| Gainsborough Pictures P Cook (No Title), 1997 | 51 | 1997 |
| Baz Luhrmann P Cook Bloomsbury Publishing, 2010 | 49 | 2010 |
| The point of self-expression in avant-garde film P Cook Theories of authorship, 271-81, 1981 | 49 | 1981 |
| Portrait of a lady: Sofia Coppola P Cook Sight and Sound 16 (11), 36-40, 2006 | 34 | 2006 |
| Authorship and cinema P Cook British Film Institute, 2007 | 29 | 2007 |
| Neither here nor there: national identity in Gainsborough costume drama P Cook Dissolving Views: Key Writings on British Cinema, 51-65, 1996 | 29 | 1996 |
| Border crossings: women and film in context P Cook Women and film: A sight and sound reader, ix-xxiii, 1993 | 27 | 1993 |
| Transnational Utopias: Baz Luhrmann and Australian Cinema P Cook Transnational Cinemas 1 (1), 23-36, 2010 | 26 | 2010 |
