| Selection and evolution in narrative ecosystems. A theoretical framework for narrative prediction G Pescatore, V Innocenti, P Brembilla 2014 IEEE International Conference on Multimedia and Expo Workshops (ICMEW), 1-6, 2014 | 33 | 2014 |
| It's All Connected. L'evoluzione delle serie TV statunitensi P Brembilla MEDIACULTURA, 1-192, 2018 | 30 | 2018 |
| Transmedia Music: The Values of Music as a Transmedia Asset P Brembilla The Routledge companion to transmedia studies, 82-89, 2018 | 27 | 2018 |
| Reading contemporary serial television universes: A narrative ecosystem framework P Brembilla, IA De Pascalis Routledge, 2018 | 18 | 2018 |
| ‘With 22 Episodes a Year’. Searching for Quality in US Network Television: the Cases of The Good Wife, Brooklyn Nine-Nine and Jane the Virgin P Brembilla, L Tralli Comunicazioni sociali 2 (2), 142-152, 2015 | 15 | 2015 |
| Game of Strategy. P Brembilla, EVE Mollona G. Giappichelli Editore, 2015 | 12 | 2015 |
| La serialità televisiva americana: produzione, consumo e tipologie di prodotto P Brembilla, G Pescatore America oggi. Cinema, media, narrazioni del nuovo millennio, 275-290, 2014 | 10 | 2014 |
| “Lip-Sync for Your Life”(Abroad). The Distribution, Adaptation and Circulation of RuPaul’s Drag Race in Italy L Barra, P Brembilla, L Rossato, L Spaziante VIEW Journal of European Television History and Culture 9 (17), 119-133, 2020 | 8 | 2020 |
| Narrative ecosystems through the network analysis lens. Step one: The production of US TV series, between capital and labor strategies M Ruffino, P Brembilla Series-International Journal of TV Serial Narratives 2 (1), 55-68, 2016 | 8 | 2016 |
| Dinamiche competitive ed evolutive: le pratiche dell’industria P Brembilla Ecosistemi narrativi. Dal fumetto alle serie Tv, 147-161, 2018 | 5 | 2018 |
| One Does Not Simply Walk Away from the Past. The Van Der Memes and the Dynamics of Memory and Spreadability P Brembilla The Politics of Ephemeral Digital Media, 170-182, 2016 | 5 | 2016 |
| You Can Literally Feel the Fear in This Campus. La rappresentazione della paura nel franchise di Scream, tra cinema e televisione P Brembilla Griseldaonline 15, 2015 | 5 | 2015 |
| Straight-to-Series in Broadcast Television: Causes, Issues and Consequences P Brembilla Alma Mater Studiorum Università di Bologna. Dipartimento delle Arti. Sezione …, 2014 | 5 | 2014 |
| Tecnologia, istituzioni, industria: l’ambiente economico e normative degli ecosistemi narrativi P Brembilla Ecosistemi narrativi. Dal fumetto alle serie TV, 93-107, 2018 | 4 | 2018 |
| Convergenza e divergenza. La dialettica industria-uso negli ecosistemi digitali e narrativi V Innocenti, P Brembilla Streaming Media. Distribuzione, circolazione, accesso, 165-178, 2017 | 3 | 2017 |
| Suit Up. The Use of Ready-to-Wear Power Suits in TV Series P Brembilla Zonemoda Journal 5, 32-7, 2016 | 3 | 2016 |
| The pervasive architecture of MTV’s Teen Wolf P Brembilla, K Zilles, J Cuenca, J Rom Breaking the Media Value Chain, 51, 2016 | 3 | 2016 |
| Quale modello seriale: La fiction Sky, sospesa tra America ed Europa P Brembilla, G Pescatore BIBLIOTECA DI TESTI E STUDI, 88-94, 2013 | 3 | 2013 |
| Iconic and Beyond Reproach: The Socio‐Aesthetic Relevance of'Riverdale' P Brembilla, C Checcaglini ZoneModa Journal 10 (1s), 39-54, 2020 | 2 | 2020 |
| This Cultural Creation of Binge-Watching. I tempi del consumo personalizzato P Brembilla Tempo di serie. La temporalità nella narrazione seriale, 51-64, 2018 | 2 | 2018 |
Guglielmo PescatoreProfessor of Film and Media Studies, University of BolognaVerified email at unibo.it