| Double Identities:The Theme of the Double in Contemporary Scottish Gothic A Sienkiewicz-Charlish The Supernatural, the Fantastic and the Oneiric, 79-86, 2011 | 7 | 2011 |
| DI John Rebus A Sienkiewicz-Charlish 100 Greatest Literary Detectives. Ed. Eric Sandberg., 159-160, 2018 | 3* | 2018 |
| Crime Scenes: Modern Crime Fiction in an International Context U Elias, A Sienkiewicz-Charlish Peter Lang Edition, 2014 | 3* | 2014 |
| A Serial Killer with a Heart: Crime and Morality in Dexter. A Sienkiewicz-Charlish Fatal Fascinations: Cultural Manifestations of Crime and Violence. Ed …, 2013 | 3* | 2013 |
| Tartan Noir: Crime, Scotland and Genre in Ian Rankin's Rebus Novels A Sienkiewicz-Charlish Crime Scenes: Modern Crime Fiction in an International Context, 65-80, 2014 | 2 | 2014 |
| Genre Mixture in Ian Rankin's Detective Fiction A Sienkiewicz Beyond Philology 6, 183-205, 2009 | 1 | 2009 |
| Introduction. More than Guilty Pleasure: The Case of Crime Fiction S Butler, A Sienkiewicz-Charlish Crime Fiction: A Critical Casebook, 9-11, 2018 | | 2018 |
| Gothic Crimes: Rebus and the Ghosts of the Past A Sienkiewicz-Charlish Crime Fiction: A Critical Casebook, 85-99, 2018 | | 2018 |
| Crime Fiction: A Critical Casebook. S Butler, A Sienkiewicz-Charlish | | 2018 |
| "A Crime Scene Waiting to Happen": Edinburgh in the Novels of Ian Rankin A Sienkiewicz-Charlish Crimelights. Scottish Crime Writing - Then and Now, 147-158, 2015 | | 2015 |
| Genre Polymorphism in Ian Rankin's Fiction A Sienkiewicz-Charlish University of Gdansk, 0 | | |
Eric SandbergCity University of Hong KongVerified email at cityu.edu.hk
