| Men at work: using dress to communicate identities M Kang, M Sklar, KKP Johnson Journal of Fashion Marketing and Management: An International Journal 15 (4 …, 2011 | 80 | 2011 |
| Punk style M Sklar Bloomsbury Publishing, 2013 | 59 | 2013 |
| Punk dress in the workplace: Aesthetic expression and accommodation M Sklar, M DeLong Clothing and Textiles Research Journal 30 (4), 285-299, 2012 | 51 | 2012 |
| Process over product: The 1990s United States hardcore and emo subcultures and DIY consumerism M Sklar, MK Donahue Punk & Post-Punk 7 (2), 155-180, 2018 | 13 | 2018 |
| Beyond subculture the meaning of style: Chronicling directions of scholarship on dress since Hebdige and Muggleton M Sklar, J Strübel, K Freiberg, S Elhabbassi Fashion Theory 26 (6), 715-735, 2022 | 10 | 2022 |
| From Renegade to Regular Joe: The Black Leather Jacket’s Values for Bikers M DeLong, K Gage, J Park, M Sklar IJMS 3, 40, 1911 | 9 | 1911 |
| ‘Brand, community, lifestyle’: Fashioning an authentic, body positive influencer brand on Instagram ML Brewster, M Sklar Fashion, Style & Popular Culture 9 (4), 501-521, 2022 | 6 | 2022 |
| Fred Perry: Polos for All J Strübel, M Sklar Subcultures 54, 73-90, 2022 | 6 | 2022 |
| Fashion cycles of punks and the mainstream: A US based study of symbols and silhouettes M Sklar, S Autry, L Klas Fashion Practice 13 (2), 253-274, 2021 | 6 | 2021 |
| From punk to poser: T-shirts, authenticity, postmodernism, and the fashion cycle M Sklar, MK Donahue | 5 | 2020 |
| “I’m Not Searching the Right Words”: User Experience Searching Historic Clothing Collection Websites A Kirkland, M Sklar, C Sauro, L Wiebers, S Idacavage, J Mun | 4 | 2023 |
| Preserving cultural craft heritage: Digitizing a traditional Syrian clothing collection M Sklar, KH McIntyre, S Autry Craft Research 12 (2), 317-333, 2021 | 4 | 2021 |
| Sold out or bought in? Complexities of the X Swatch as subcultural accessory for the straight edge scene M Sklar, J Strübel, R Haenfler Fashion, Style & Popular Culture 9 (1-2), 43-64, 2022 | 3 | 2022 |
| Uniform Ideals: The Process of Motown Records’ Image Making M Sklar, C Barrow, P Leone Dress 47 (1), 15-29, 2021 | 3 | 2021 |
| Dior to disco: Second wave feminism and fashion J McElvain, M Sklar, M Harpham International Textile and Apparel Association Annual Conference Proceedings …, 2017 | 3 | 2017 |
| Aesthetic expressions: Punk dress and the workplace M Sklar University of Minnesota, 2010 | 3 | 2010 |
| The Punk Palette: Subversion through Color M Sklar, L Michel Color and Design, 150-6, 2012 | 2 | 2012 |
| Adjusting standard retail practices for nonstandard consumers: How punk and subcultural fashion boutiques find success and build community M Sklar, M Lehto Brewster, B Whitley Fashion, Style & Popular Culture, 2022 | 1 | 2022 |
| Learning punk through its products: Combining fashion merchandising practices and pedagogy to develop a subculture of resistance M Sklar, C Helfgott, F Kitchens Clothing Cultures 6 (2), 249-263, 2019 | 1 | 2019 |
| This Is Not Fashion: Streetwear Past, Present and Future M Sklar Dress 45 (1), 95-97, 2019 | 1 | 2019 |
