| Mediamorphosis: Kafka and the moving image S Biderman, I Lewit Columbia University Press, 2016 | 15 | 2016 |
| Rethinking Inside and Outside: The Door in Ernst Lubitsch's When I Was Dead and Charlie Chaplin's The Adventurer I Lewit Film-Philosophy 27 (1), 79-97, 2023 | 7 | 2023 |
| ‘This Is Not Nothing’: Viewing the Coen Brothers through the Lens of Kafka I Lewit Mediamorphosis: Kafka and the Moving Image, 258-278, 2016 | 3 | 2016 |
| The Curious Humanist: Siegfried Kracauer in America I Lewit Film Quarterly 70 (4), 131-133, 2017 | 2 | 2017 |
| Orson Welles’s The Trial and the Problem of Interpretation after the Holocaust’ I Lewit Journal of the Kafka Society of America 36 (37), 115-26, 2015 | 2 | 2015 |
| The Kafkaesque Cinematic Language of the Coen Brothers I Lewit A Serious Man’, Journal of the Kafka Society of America 33 (34), 29-38, 2011 | 2 | 2011 |
| “He Couldn’t Tell the Difference between The Merry Widow and Tristan and Isolde”: Kafka’s Anti-Wagnerian Philosophy of Music I Lewit Estetyka i Krytyka 53 (2), 109-123, 2019 | 1 | 2019 |
| TV’s Fargo and the Philosophy of the Coen Brothers S Biderman, I Lewit Film and Philosophy 21, 17-30, 2017 | 1 | 2017 |
| New Approaches to Ernst Lubitsch A Light Touch I Lewit, B Peucker | | 2024 |
| Dr Mabuse today: the centennial of Fritz Lang’s Dr Mabuse, the Gambler. Introduction I Lewit Screen 64 (1), 82-86, 2023 | | 2023 |
| The Coroner and the Real: Death, Media, and ‘Deep Truth’ in Werner Herzog’s The Enigma of Kaspar Hauser and Grizzly Man I Lewit JCMS: Journal of Cinema and Media Studies 61 (3), 82-106, 2022 | | 2022 |
| The Tableau Vivant and the Intermedial Clash: Temporality and Power-Dynamics in Fassbinder’s Fontane Effi Briest I Lewit Literature/ Film Quarterly 50 (1), 2022 | | 2022 |
| Toward a Media-Technological Approach to Films: Meaning-Making, Objects, and Procedures I Lewit Yale University, 2021 | | 2021 |
| The Twin Challenge of Watching Twin Peaks S Biderman, R Gil, I Lewit The Politics of Twin Peaks, 177, 2019 | | 2019 |
| Die Diaspora schlägt zurück I Lewit Springerin 18 (1), 14, 2012 | | 2012 |
| Realität des Simulakrums I Lewit Springerin, 10, 2011 | | 2011 |
| 9. Regulating the Gaze and the Voice for a Cinema in Transition: The Merry Jail and So This Is Paris I Lewit New Approaches to Ernst Lubitsch, 179, 0 | | |