| Screening the male: Exploring masculinities in the Hollywood cinema S Cohan, IR Hark Routledge, 2012 | 1274* | 2012 |
| Transnational cinema: the film reader E Ezra, T Rowden Taylor & Francis, 2006 | 563 | 2006 |
| Exhibition, the film reader IR Hark Psychology Press, 2002 | 104 | 2002 |
| American Cinema of the 1930s: Themes and Variations IR Hark Rutgers University Press, 2007 | 40 | 2007 |
| Today Is the Longest Day of My Life: 24 as Mirror Narrative of 9/11 IR Hark Film and Television after 9 (11), 121-141, 2004 | 36 | 2004 |
| FEAR OF FLYING Yuppie critique and the buddy-road movie in the 1980s IR Hark The road movie book, 220-224, 2002 | 35 | 2002 |
| The Visual Politics of The Adventures of Robin Hood IR Hark Journal of Popular Film 5 (1), 3-17, 1976 | 29 | 1976 |
| Star Trek IR Hark Macmillan, 2008 | 28 | 2008 |
| Edward Lear: Eccentricity and Victorian Angst IR Hark Victorian Poetry, 112-122, 1978 | 28 | 1978 |
| Star Trek and Television’s Moral Universe IR Hark Extrapolation 20 (1), 20-37, 1979 | 25 | 1979 |
| The'Theater Man'and'The Girl in the Box Office': Gender in the Discourse of Motion Picture Theatre Management IR Hark Film History 6 (2), 178-187, 1994 | 22 | 1994 |
| Edward Lear IR Hark (No Title), 1982 | 21 | 1982 |
| The wrath of the original cast: Translating embodied television characters to other media IR Hark Adaptations, 172-184, 2013 | 20 | 2013 |
| The road movie book S Cohen, IR Hark Routledge, 1997 | 17 | 1997 |
| Bigger Than Ben-Hur: The Book, Its Adaptations, and Their Audiences N Sinyard, E Shalev, JJA Gatrall, H Obenzinger, H Miller, TJ Slater, ... Syracuse University Press, 2016 | 16 | 2016 |
| Keeping Your Amateur Standing. Audience Participation and Good Citizenship in Hitchcock's Political Films IR Hark Cinema Journal 29 (2), 8-22, 1990 | 13 | 1990 |
| Marriage in the Symbolic Framework of" The Mystery of Edwin Drood" IR Hark Studies in the Novel 9 (2), 154-168, 1977 | 13 | 1977 |
| Introduction: Movies and the 1930s IR Hark na, 2007 | 12 | 2007 |
| Franchise fatigue? The marginalization of the television series after The Next Generation IR Hark The Influence of Star Trek on Television, Film and Culture, 41-62, 2007 | 10 | 2007 |
| Revalidating Patriarchy: Why Hitchcock Remade The Man Who Knew Too Much IR Hark Hitchcock’s Rereleased Films: From, 209-220, 1991 | 10 | 1991 |
