| OpenMusic: Visual Programming Environment for Music Composition, Analysis and Research J Bresson, C Agon, G Assayag Proceedings of the 19th ACM international conference on Multimedia, 743-746, 2011 | 140 | 2011 |
| The OM Composer’s Book 1 & 2 C Agon, G Assayag, J Bresson (2006-2008) Editions Delatour – IRCAM Centre Pompidou, 2006 | 80 | 2006 |
| The OM Composer's Book 1 C Agon, G Assayag, J Bresson Editions Delatour France/Ircam-Centre Pompidou, 2006 | 75 | 2006 |
| pOM: Linking Pen Gestures to Computer-Aided Composition Processes J Garcia, P Leroux, J Bresson 40th International Computer Music Conference (ICMC) joint with the 11th …, 2014 | 48* | 2014 |
| OpenMusic 5: A Cross-platform Release of the Computer-Assisted Composition Environment J Bresson, C Agon, G Assayag 10th Brazilian Symposium on Computer Music, Belo Horizonte, MG, Brésil, 2005 | 45 | 2005 |
| Visual Lisp/CLOS Programming in OpenMusic J Bresson, C Agon, G Assayag Higher-Order and Symbolic Computation 22 (1), 81-111, 2009 | 42 | 2009 |
| Spatial sound synthesis in computer-aided composition M Schumacher, J Bresson Organised Sound 15 (3), 271-289, 2010 | 41 | 2010 |
| Interacting with symbol, sound, and feature spaces in orchidée, a computer-aided orchestration environment G Carpentier, J Bresson Computer Music Journal 34 (1), 10-27, 2010 | 38 | 2010 |
| The OM Composer’s Book 2 J Bresson, C Agon, G Assayag Editions Delatour – Ircam Centre Pompidou, 2008 | 38* | 2008 |
| A Reactive Extension of the OpenMusic Visual Programming Language J Bresson, JL Giavitto Journal of Visual Languages & Computing 25 (4), 363-375, 2014 | 37 | 2014 |
| The OM Composer's Book 3 J Bresson, C Agon, G Assayag Editions Delatour France/IRCAM-Centre Pompidou, 2016 | 30 | 2016 |
| SDIF sound description data representation and manipulation in computer-assisted composition J Bresson, C Agon Proceedings of the International Computer Music Conference, Miami, USA, 2004 | 29 | 2004 |
| Interactive-compositional authoring of sound spatialization J Garcia, T Carpentier, J Bresson Journal of New Music Research 46 (1), 74-86, 2017 | 27 | 2017 |
| Sound Processing in OpenMusic J Bresson Proceedings of the 9th International Conference on Digital Audio Effects …, 2006 | 27 | 2006 |
| Musique Lab 2: A three level approach for music education at school V Puig, F Guédy, M Fingerhut, F Serrière, J Bresson, O Zeller Procceedings of the International Computer Music Conference, 419-422, 2005 | 25 | 2005 |
| Corpus-based transcription as an approach to the compositional control of timbre A Einbond, D Schwarz, J Bresson International Computer Music Conference Proceedings 2009, 223-226, 2009 | 23 | 2009 |
| Scores, programs, and time representation: The sheet object in openmusic J Bresson, C Agon Computer Music Journal 32 (4), 31-47, 2008 | 23 | 2008 |
| Computer-aided composition of musical processes D Bouche, J Nika, A Chechile, J Bresson Journal of New Music Research 46 (1), 3-14, 2017 | 22 | 2017 |
| OMChroma: Compositional Control of Sound Synthesis C Agon, J Bresson, M Stroppa Computer Music Journal 35 (2), 67-83, 2011 | 22 | 2011 |
| Musical representation of sound in computer-aided composition: A visual programming framework J Bresson, C Agon Journal of New Music Research 36 (4), 251-266, 2007 | 22 | 2007 |
Gérard AssayagIRCAMVerified email at ircam.fr