| Intertextuality and hypertextuality in recorded popular music S Lacasse The musical work: Reality or invention, 35-58, 2000 | 231 | 2000 |
| 'Listen to my voice': the evocative power of vocal staging in recorded rock music and other forms of vocal expression. S Lacasse University of Liverpool, 2000 | 186 | 2000 |
| The phonographic voice: paralinguistic features and phonographic staging in popular music singing S Lacasse Recorded Music: Performance, Culture and Technology, 225-251, 2010 | 80 | 2010 |
| Research-Creation in Music and the Arts: Towards a Collaborative Interdiscipline S Stévance, S Lacasse Routledge, 2017 | 62 | 2017 |
| The pop palimpsest: Intertextuality in recorded popular music JP Burkholder University of Michigan Press, 2018 | 59 | 2018 |
| Stratégies narratives dans «Stan» d’Eminem: Le rôle de la voix et de la technologie dans l’articulation du récit phonographique 1 S Lacasse Protée 34 (2), 11-26, 2006 | 57 | 2006 |
| Toward a Model of Transphonography S Lacasse The pop palimpsest: Intertextuality in recorded popular music, 9-60, 2018 | 52 | 2018 |
| Les enjeux de la recherche-création en musique: Institution, définition, formation S Stévance, S Lacasse Presses de l'Université Laval, 2013 | 49* | 2013 |
| System, methods and nodes for providing zone-based services based on pairings between compatible profiles S Lacasse, G Saldana US Patent App. 14/359,931, 2014 | 41 | 2014 |
| Persona, emotions and technology: the phonographic staging of the popular music voice S Lacasse Charm Symposium 2, 1-12, 2005 | 38 | 2005 |
| La musique pop incestueuse: Une introduction à la transphonographie 1 S Lacasse Circuit 18 (2), 11-26, 2008 | 37 | 2008 |
| Quand la musique prend corps M Desroches, S Stévance, S Lacasse Les Presses de l'Université de Montréal, 2014 | 32 | 2014 |
| Art of Record Production K Isakoff, S Stévance, S Lacasse Routledge, 2020 | 27 | 2020 |
| Composition, performance, phonographie: un malentendu ontologique en analyse musicale? S Lacasse Groove: Enquête sur les phénomènes musicaux contemporains, 65-78, 2006 | 25 | 2006 |
| Slave to the Supradiegetic Rhythm: A Microrhythmic Analysis of Creaky Voice in Sia’s ‘Breathe Me’ S Lacasse Musical Rhythm in the Age of Digital Reproduction, 2010 | 24* | 2010 |
| La musique comme discours phonographique: Fondement d’une démarche d’analyse S Lacasse Musicologies 2, 23-39, 2005 | 24 | 2005 |
| “Listen to my voice”, the evocative power of voice in recorded rock music and other forms of vocal expression S Lacasse PhD diss. The University of Liverpool, 2000 | 23 | 2000 |
| L'analyse des rapports texte-musique dans la musique populaire: le cas des paramètres technologiques S Lacasse Musurgia, 77-85, 1998 | 18 | 1998 |
| Une introduction à la transphonographie S Lacasse Volume!. La revue des musiques populaires, 31-57, 2010 | 17 | 2010 |
| Voice and Sound Processing: Examples of Mise en Scene of Voice in Recorded Rock Music S Lacasse Popular Musicology Online 5, 2000 | 16 | 2000 |
Sophie StévanceUniversité LavalVerified email at mus.ulaval.ca
