| From Split to Screened Selves: French and Francophone Autobiography in the Third Person R Gabara Stanford University Press, 2006 | 54 | 2006 |
| The latest word from Echo AE Berger, R Gabara New Literary History 27 (4), 621-640, 1996 | 49 | 1996 |
| Abderrahmane Sissako: Second and third cinema in the first person R Gabara Global Art Cinema: New Theories and Histories, 320-33, 2010 | 23 | 2010 |
| Mixing Impossible Genres: David Achkar and African AutoBiographical Documentary R Gabara New Literary History 34 (2), 331-352, 2003 | 23 | 2003 |
| “‘A Poetics of Refusals’: Neorealism from Italy to Africa” R Gabara Italian neorealism and global cinema, 187-206, 2007 | 16 | 2007 |
| ‘A poetics of refusals’: Neorealism from Italy to Africa R Gabara Quarterly Review of Film and Video 23 (3), 201-215, 2006 | 16 | 2006 |
| Complex Realism: Paulin Soumanou Vieyra and the Emergence of West African Documentary Film R Gabara Black Camera 11 (2), 32-59, 2020 | 13 | 2020 |
| Abderrahmane Sissako: On the politics of African auteurs R Gabara The Global Auteur: The Politics of Authorship in 21st Century Cinema, 43-60, 2016 | 9 | 2016 |
| From Ethnography to Essay: Realism, Reflexivity, and African Documentary Film R Gabara A Companion to African Cinema, 358-378, 2018 | 7 | 2018 |
| War by Documentary R Gabara Romance Notes 55 (3), 409-423, 2015 | 6 | 2015 |
| Screening Autobiography Cyril Collard’s Nuits fauves R Gabara French Cultural Studies 16 (1), 55-72, 2005 | 5 | 2005 |
| Interrogating images: Lumumba: death of a prophet as reflexive autobiographical documentary R Gabara Raoul Peck: Power, Politics, and the Cinematic Imagination, 153-170, 2015 | 3 | 2015 |
| Hunting images: sub-Saharan Africa in early French cinema R Gabara French Screen Studies 23 (4), 249-269, 2022 | 1 | 2022 |
| Black Business by Osvalde Lewat (review) R Gabara African Studies Review 57 (1), 238-240, 2014 | 1* | 2014 |
| Je de miroirs: French and francophone autobiography from split to screened selves. RT Gabara | 1 | 2000 |
| Cinephobia/Cinephilia: Modernism and Sub-Saharan African Film R Gabara Modernism/modernity Print Plus, 2024 | | 2024 |
| Restituer: sharing colonial films R Gabara Contemporary French Civilization 48 (1), 7-26, 2023 | | 2023 |
| Welcoming Paulin Vieyra's Papers to Indiana University's Black Film Center & Archive T Francis Black Camera 13 (2), 489-499, 2022 | | 2022 |
| Chez Jolie Coiffure. 70 minutes. French with English subtitles. Belgium. Icarus Films. $390. 2018. R Gabara African Studies Review 63 (4), E84-E86, 2020 | | 2020 |
| FILM REVIEW: Travels in the Congo R Gabara African Studies Review 62 (2), E51-E53, 2019 | | 2019 |
