| Touching photographs M Olin University of Chicago Press, 2012 | 255 | 2012 |
| Monuments and memory, made and unmade RS Nelson, M Olin University of Chicago Press, 2003 | 255 | 2003 |
| Forms of representation in Alois Riegl's theory of art MR Olin (No Title), 1992 | 232 | 1992 |
| Photography degree zero: reflections on Roland Barthes's Camera lucida G Batchen | 194 | 2011 |
| Touching Photographs: Roland Barthes's''Mistaken''Identification M Olin Representations 80 (1), 99-118, 2002 | 173 | 2002 |
| Gaze M Olin Critical terms for art history, 208-19, 1996 | 161 | 1996 |
| The nation without art: examining modern discourses on Jewish art MR Olin U of Nebraska Press, 2001 | 137 | 2001 |
| Forms of respect: Alois Riegl's concept of attentiveness M Olin The Art Bulletin 71 (2), 285-299, 1989 | 84 | 1989 |
| Lanzmann's Shoah and the Topography of the Holocaust Film M Olin Representations, 1-23, 1997 | 60 | 1997 |
| Alois Riegl: the late Roman empire in the late Habsburg empire M Olin na, 1994 | 36 | 1994 |
| The cult of monuments as a state religion in late 19th century Austria M Olin Wiener Jahrbuch für kunstgeschichte 38 (1), 177-198, 1985 | 33 | 1985 |
| 'IT IS NOT GOING TO BE EASY TO LOOK INTO THEIR EYES': PRIVILEGE OF PERCEPTION IN LET US NOW PRAISE FAMOUS MEN. M Olin Art History 14 (1), 1991 | 28 | 1991 |
| Monuments and Memory RS Nelson, M Olin Made and Unmade, 2003 | 26 | 2003 |
| Art History and Ideology: Alois Riegl and Josef Strzygowski M Olin Cultural Visions: Essays in the History of Culture, 151-170, 2000 | 26 | 2000 |
| From Bezal’el to Max Liebermann M Olin Jewish Art in Nineteenth-Century Art-Historical Texts. In: Soussloff …, 1999 | 24 | 1999 |
| Self-Representation: Resemblance and Convention in Two Nineteenth-Century Theories of Architecture and the Decorative Arts M Olin Zeitschrift für Kunstgeschichte 49 (H. 3), 376-397, 1986 | 23 | 1986 |
| " Early Christian Synagogues" and" Jewish Art Historians". The Discovery of the Synagogue of Dura-Europos M Olin Marburger Jahrbuch für Kunstwissenschaft 27, 7-28, 2000 | 20 | 2000 |
| Nationalism, the Jews, and art history M Olin Judaism 45 (4), 461, 1996 | 20 | 1996 |
| C [lement] Hardesh [Greenberg] and Company: Formal Criticism and Jewish Identity M Olin Too Jewish, 39-59, 1996 | 15 | 1996 |
| Validation by touch in Kandinsky's early Abstract art M Olin Critical Inquiry 16 (1), 144-172, 1989 | 13 | 1989 |
