| Mapping for meaning: the embodied sonification listening model and its implications for the mapping problem in sonic information design S Roddy, B Bridges Journal on Multimodal User Interfaces 14 (2), 143-151, 2020 | 27 | 2020 |
| Gesture and Embodied Metaphor in Spatial Music Performance Systems Design. R Graham, B Bridges NIME, 581-584, 2014 | 23 | 2014 |
| Managing Musical Complexity with Embodied Metaphors R Graham, B Bridges Proceedings of the International Conference on New Interfaces for Musical …, 2015 | 20 | 2015 |
| Addressing the mapping problem in sonic information design through embodied image schemata, conceptual metaphors, and conceptual blending S Roddy, B Bridges Journal of Sonic Studies, 2018 | 15 | 2018 |
| Accessibility and dimensionality: enhanced real time creative independence for digital musicians with quadriplegic cerebral palsy B McCloskey, B Bridges, F Lyons Proceedings of the International Conference on NIME, Louisiana, USA. June …, 2015 | 15 | 2015 |
| Sounding human with data: the role of embodied conceptual metaphors and aesthetics in representing and exploring data sets S Roddy, B Bridges MusTWork16–Music Technology Workshop 2016: Establishing a Partnership …, 2016 | 14 | 2016 |
| Sound, ecological affordances and embodied mappings in auditory display S Roddy, B Bridges New Directions in Third Wave Human-Computer Interaction: Volume 2 …, 2018 | 11 | 2018 |
| SceneMaker: Creative technology for digital storytelling M Akser, B Bridges, G Campo, A Cheddad, K Curran, L Fitzpatrick, ... Interactivity, Game Creation, Design, Learning, and Innovation: 5th …, 2017 | 11 | 2017 |
| Exploring pitch and timbre through 3d spaces: embodied models in virtual reality as a basis for performance systems design R Graham, B Bridges, C Manzione, W Brent International Conference on New Interfaces for Musical Expression (NIME …, 2017 | 10 | 2017 |
| The design of a smart city sonification system using a conceptual blending and musical framework, web audio and deep learning techniques S Roddy, B Bridges International Conference on Auditory Display 25-28 June 2021, 105-110, 2021 | 4 | 2021 |
| Electroacoustic Music as Embodied Cognitive Praxis: Denis Smalley’s theory of spectromorphology as an implicit theory of embodied cognition B Bridges, R Graham EMS15 The Art of Electroaoustic Music, 2015 | 4 | 2015 |
| Strategies for spatial music performance: the practicalities and aesthetics of responsive systems design R Graham, B Bridges CeReNeM Journal/Divergence Press 3 (3), 2015 | 4 | 2015 |
| Sound Spatialization E Bates, B Bridges, A Melvin Foundations in Sound Design for Interactive Media, 141-160, 2019 | 3 | 2019 |
| WithFeelVR: the spatial and textural affordances of VR as a mapping strategy for an accessible digital musical instrument L Smith, F Lyons, B Bridges, R Casey Proceedings of the International Computer Music Conference 2022: Standing …, 2022 | 2 | 2022 |
| Competing Attractions, Orbital Decay and the Music of the Spheres: Force–based relational dynamics for organizing space and timbre in performance using physical modelling R Graham, B Bridges Korean Electro-Acoustic Music Society Annual Conference, 2016 | 2 | 2016 |
| Mapping and Meaning: embodied metaphors and non–localised structures in performance system design R Graham, B Bridges Re–New 2013 Conference Proceedings, 2013 | 2 | 2013 |
| Meaning-making and embodied cognition in sound design research S Roddy, B Bridges Doing research in sound design, 21-36, 2021 | 1 | 2021 |
| Music Theory for Sound Designers A Melvin, B Bridges Foundations in Sound Design for Linear Media, 227-247, 2019 | 1 | 2019 |
| Can Harmony Be Non-Linear? Issues in Microtonal Composition and Perception in Response to Glenn Branca's '25 Questions' B Bridges Society for Musicology in Ireland Annual Conference, 2008 | 1* | 2008 |
| conceptual blending A Melvin, B Bridges The Routledge Handbook of Sound Design, 318, 2024 | | 2024 |
Richard GrahamGeorge Washington UniversityVerified email at gwu.edu