Film remakes C Verevis Edinburgh University Press, 2006 | 424 | 2006 |
Film Remakes, Adaptations and Fan Productions: Remake/Remodel K Loock, C Verevis Palgrave Macmillan, 2012 | 81 | 2012 |
Introduction C Jess-Cooke, C Verevis Second Takes: Critical Approaches to the Film Sequel, 1–10, 2010 | 74* | 2010 |
Transnational film remakes IR Smith Edinburgh University Press, 2017 | 42 | 2017 |
Transnational television remakes C Perkins, C Verevis Continuum 29 (5), 677-683, 2015 | 35 | 2015 |
Fear, cultural anxiety, and transformation: horror, science fiction, and fantasy films remade SA Lukas, J Marmysz Lexington Books, 2009 | 33* | 2009 |
Remaking Film C Verevis Film Studies 4 (1 (Summer)), 87–103, 2004 | 33 | 2004 |
Re-viewing remakes C Verevis Film Criticism 21 (3), 1–19, 1997 | 31 | 1997 |
For Ever Hitchcock: Psycho and Its Remakes C Verevis After Hitchcock: Influence, Imitation, and Intertextuality, 15–29, 2006 | 27 | 2006 |
Introduction: Remake/Remodel K Loock, C Verevis Film Remakes, Adaptations and Fan Productions: Remake/Remodel, 1–15, 2012 | 24 | 2012 |
Remakes, sequels, prequels C Verevis The Oxford Handbook of Adaptation Studies, 267-84, 2017 | 23 | 2017 |
Redefining the Sequel: The Case of the (Living) Dead C Verevis Second Takes: Critical Approaches to the Film Sequel, 11–29, 2010 | 22 | 2010 |
“This Land is Mine/This Land is Me”: Reconciling Harmonies in One Night the Moon V Pons Book Reviews, 2024 | 21* | 2024 |
New Millennial Remakes C Verevis Media of Serial Narrative, 2017 | 16 | 2017 |
B is for Bad Cinema: Aesthetics, Politics, and Cultural Value C Perkins, C Verevis SUNY Press, 2014 | 16 | 2014 |
Film Trilogies: New Critical Approaches C Perkins, C Verevis Palgrave Macmillan, 2012 | 16 | 2012 |
Australian Film Theory and Criticism N King, C Verevis, D Williams Australian Film Theory and Criticism, Volume 1: Critical Positions, 3–16, 2013 | 15* | 2013 |
Introduction: Transnational film remakes IR Smith, C Verevis Transnational film remakes, 1-18, 2017 | 14 | 2017 |
Cultural value and viscerality in Sukiyaki Western Django: Towards a phenomenology of bad film J Stadler After taste: Cultural value and the moving image, 37-48, 2014 | 13 | 2014 |
The Cinematic Return C Verevis Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 2016 | 12 | 2016 |