| Music and the benefit performance in eighteenth-century Britain M Gardner, A DeSimone Cambridge University Press, 2019 | 10 | 2019 |
| “Equally Charming, Equally Too Great”: Female Rivalry, Politics, and Opera in Early Eighteenth-Century London A DeSimone Early Modern Women: An Interdisciplinary Journal 12 (1), 73-102, 2017 | 9 | 2017 |
| The Power of Pastiche: Musical Miscellany and Cultural Identity in Early Eighteenth-Century England A DeSimone Liverpool University Press, 2021 | 4 | 2021 |
| The Myth of the Diva: Female Opera Singers and Collaborative Performance in Early Eighteenth-Century London AC DeSimone University of Michigan, 2013 | 4 | 2013 |
| Musical Virtue, Professional Fortune, and Private Trauma in Eighteenth-Century Britain: A Feminist Biography of Elisabetta de Gambarini (1730–65) A DeSimone Journal of Musicological Research 40 (1), 5-38, 2021 | 3 | 2021 |
| Songs without Words: Keyboard Arrangements of Vocal Music in England, 1560–1760.(Eastman Studies in Music.) AC DeSimone Notes 75 (1), 81-84, 2018 | 1 | 2018 |
| Musical Migration: The European Impact of Corelli's Op. 6 AC DeSimone AR Editions, Incorporated, 2017 | 1 | 2017 |
| Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar (Eastman Studies in Music, vol. 117) A DeSimone Notes 73 (1), 111-113, 2016 | 1 | 2016 |
| Handel as Miscellany A DeSimone Eighteenth-Century Music 20 (1), 61-80, 2023 | | 2023 |
| Beauty, Voice, and Wit: Learning Courtship and Sex through Song in Early Eighteenth-Century England A Desimone Studies in Eighteenth-Century Culture 52 (1), 175-198, 2023 | | 2023 |
| Introduction: Consuming Foreign Music and Theater in Eighteenth-Century Britain A Desimone, A Dunagin Studies in Eighteenth-Century Culture 50 (1), 121-125, 2021 | | 2021 |
| Introduction [Music and the Benefit Performance in Eighteenth-Century Britain] AC DeSimone, M Gardner | | 2020 |
| AMERICAN HANDEL FESTIVAL JACOBS SCHOOL OF MUSIC, INDIANA UNIVERSITY BLOOMINGTON, 7–10 FEBRUARY 2019 A Desimone Eighteenth-Century Music 16 (2), 200-203, 2019 | | 2019 |
| PERFORMANCE HISTORY AND PRACTICES AC DeSimone Music Library Association. Notes 75 (1), 81-84, 2018 | | 2018 |
| Music in the London Theatre from Purcell to Handel. Edited by Colin Timms and Bruce Wood. Cambridge: Cambridge University Press. 2017. xv + 268 p. £75 (hb … A DeSimone Journal for Eighteenth‐Century Studies 41 (3), 477-479, 2018 | | 2018 |
| Convent Music and Politics in Eighteenth-Century Vienna A DeSimone College Music Symposium 57, 2017 | | 2017 |
| Dance in Handel's London Operas. Eastman Studies in Music, vol. 96 A DeSimone Notes 71 (3), 517-519, 2015 | | 2015 |
| Johannes Schenck A DeSimone Early Music America 20 (2), 21, 2014 | | 2014 |
| George Frideric Handel: Mary Wilson Sings Handel A DeSimone Early Music America 20 (2), 17, 2014 | | 2014 |
| George Frideric Handel: Belshazzar A DeSimone Early Music America 20 (2), 16, 2014 | | 2014 |
