| “A Way to Sell Your Records”: Pop Stardom and the Politics of Drag Professionalization on RuPaul’s Drag Race A Vesey Television & New Media 18 (7), 589-604, 2017 | 29 | 2017 |
| Putting her on the shelf: Pop star fragrances and post-feminist entrepreneurialism A Vesey Feminist media studies 15 (6), 992-1008, 2015 | 13 | 2015 |
| Waste not: Les Glaneurs et la glaneuse and the heterogeneous documentary film score A Vesey Studies in French Cinema 14 (3), 167-179, 2014 | 7 | 2014 |
| Mixing in Feminism A Vesey Popular Music and Society 39 (2), 202-221, 2016 | 6 | 2016 |
| Reading between the lines: gender and viral marketing A Vesey Cinema Journal 53 (1), 144-149, 2013 | 5 | 2013 |
| Playing in the Closet: Female Rock Musicians, Fashion, and Citational Feminism A Vesey Emergent Feminisms, 73-89, 2018 | 3 | 2018 |
| A Synchronous Process: Musicians' Labor and Identity as Television Industry Practice A Vesey The University of Wisconsin-Madison, 2016 | 2 | 2016 |
| Live Music: Mediating Musical Performance and Discord on Saturday Night Live A Vesey Becker et al., Saturday Night Live, 112-29, 2013 | 2 | 2013 |
| Selling Sonic Girlhood: Feminizing Indie Rock through Music Supervision on MTV's Awkward A Vesey JCMS: Journal of Cinema and Media Studies 60 (5), 217-242, 2021 | 1 | 2021 |
| Opening Statements: Theme Singing and Shifting Paradigms for Voicing Feminine Subjectivities as Television Music A Vesey Camera Obscura: Feminism, Culture, and Media Studies 34 (3), 157-167, 2019 | 1 | 2019 |
| Four-octave range and five-star cuisine: Patti LaBelle in the kitchen and the gender politics of music merchandising A Vesey Feminist Media Studies 18 (4), 773-776, 2018 | 1 | 2018 |
| Harold and Maude (1971) A Vesey The Moving Image 13 (1), 243-244, 2013 | 1 | 2013 |
| Time to Document: Voicing Authorship on Björk: Sonic Symbolism A Vesey Journal of Popular Music Studies 35 (4), 54-71, 2023 | | 2023 |
| “Have you got any soul?”: reinterpreting High Fidelity’s relationship to Black cultural production A Vesey New Review of Film and Television Studies 21 (4), 597-620, 2023 | | 2023 |
| Professional Widows: Contesting History with the Rock and Roll Hall of Fame A Vesey The Velvet Light Trap, 73-85, 2022 | | 2022 |
| Why Karen Carpenter Matters: by Karen Tongson, Austin, University of Texas Press, 2019, 152pp.,£ 13.13 (paperback), 978-1477318843 A Vesey Celebrity Studies 12 (1), 169-171, 2021 | | 2021 |
| Room for a Breast or Two: St. Vincent and the Post-Structural Feminism of “Friendly Instrument” Design A Vesey Journal of Popular Music Studies 32 (4), 37-59, 2020 | | 2020 |
| Soda Goes Pop: Pepsi-Cola Advertising and Popular Music, by Joanna K. Love A Vesey Journal of Popular Music Studies 32 (3), 149-151, 2020 | | 2020 |
| Working for@ LateNightJimmy A Vesey Spectator-The University of Southern California Journal of Film and …, 2015 | | 2015 |
