| The Aesthetic Aha: On the pleasure of having insights into Gestalt C Muth, CC Carbon Acta psychologica 144 (1), 25-30, 2013 | 303 | 2013 |
| The appeal of challenge in the perception of art: How ambiguity, solvability of ambiguity, and the opportunity for insight affect appreciation. C Muth, VM Hesslinger, CC Carbon Psychology of Aesthetics, Creativity, and the Arts 9 (3), 206, 2015 | 139 | 2015 |
| The stream of experience when watching artistic movies. Dynamic aesthetic effects revealed by the Continuous Evaluation Procedure (CEP) C Muth, MH Raab, CC Carbon Frontiers in Psychology 6, 365, 2015 | 91 | 2015 |
| Give me Gestalt! Preference for cubist artworks revealing high detectability of objects C Muth, R Pepperell, CC Carbon Leonardo 46 (5), 488-489, 2013 | 83 | 2013 |
| SeIns: Semantic instability in art C Muth, CC Carbon Art & Perception 4 (1-2), 145-184, 2016 | 65 | 2016 |
| Am Anfang war die Verschwörungstheorie M Raab, CC Carbon, C Muth, M Raab, CC Carbon, C Muth Am Anfang war die Verschwörungstheorie, 1-18, 2017 | 36 | 2017 |
| Variants of semantic instability (SeIns) in the arts: A classification study based on experiential reports. C Muth, VM Hesslinger, CC Carbon Psychology of Aesthetics, Creativity, and the Arts 12 (1), 11, 2018 | 35 | 2018 |
| Semantic stability is more pleasurable in unstable episodic contexts. On the relevance of perceptual challenge in art appreciation C Muth, MH Raab, CC Carbon Frontiers in Human Neuroscience 10, 43, 2016 | 23 | 2016 |
| Expecting the unexpected: How gallery visitors experience semantic instability in art C Muth, MH Raab, CC Carbon Art & Perception 5 (2), 121-142, 2017 | 21 | 2017 |
| “Aha” ptics: enjoying an aesthetic aha during haptic exploration C Muth, S Ebert, S Marković, CC Carbon Perception 48 (1), 3-25, 2019 | 20 | 2019 |
| “I like how it looks but it is not beautiful”: Sensory appeal beyond beauty C Muth, J Briesen, CC Carbon Poetics 79, 101376, 2020 | 18 | 2020 |
| Seeking (dis) order: Ordering appeals but slight disorder and complex order trigger interest. C Muth, G Westphal-Fitch, CC Carbon Psychology of Aesthetics, Creativity, and the Arts 15 (3), 439, 2021 | 16 | 2021 |
| Seins: semantic instability in art. Art & Perception, 4 (1-2), 145-184 C Muth, CC Carbon | 9 | 2016 |
| Predicting instabilities: an embodied perspective on unstable experiences with art and design C Muth, CC Carbon Philosophical Transactions of the Royal Society B 379 (1895), 20220416, 2024 | 7 | 2024 |
| When art is not mastered but creates Insights. Shifting in and out of Semantic Instability C Muth, CC Carbon Art & Perception 7 (2-3), 123-136, 2019 | 6 | 2019 |
| Affect and self-efficacy infuse the experience of ambivalent photographs C Muth, S Albrecht, CC Carbon psihologija 50 (3), 307-317, 2017 | 5 | 2017 |
| M5oX: Methoden zur multidimensionalen und dynamischen Erfassung des Nutzererlebens MH Raab, C Muth, CC Carbon Oldenbourg Verlag, 2013 | 4 | 2013 |
| Ambivalence of artistic photographs stimulates interest and the motivation to engage. C Muth, CC Carbon Psychology of Aesthetics, Creativity, and the Arts, 2022 | 2 | 2022 |
| There’s more than one way to irritation! An attempt to categorize ambiguity in art C Muth, CC Carbon Psychology 19 (5), 587-601, 2012 | 2 | 2012 |
| Dystopien und Verschwörungstheorien M Raab, CC Carbon, C Muth, M Raab, CC Carbon, C Muth Am Anfang war die Verschwörungstheorie, 33-64, 2017 | 1 | 2017 |
