| Sex in the Archives: The Politics of Processing and Preserving Pornography in the Digital Age G Tang The American Archivist 80 (2), 439-452, 2017 | 8 | 2017 |
| We need to talk about public history's columbusing problem G Tang History@Work, 2020 | 4 | 2020 |
| Pleasure by Proxy: A Multimedia Essay G Tang FLAT, 2021 | | 2021 |
| Exhibitions for Social Justice, by Elena Gonzales G Tang The Public Historian 43 (3), 120-123, 2021 | | 2021 |
| Where Did the Rainbow Flag Come From, Anyway? G Tang Smithsonian Magazine, 2021 | | 2021 |
| Jackie Shane G Tang African American National Biography, 2021 | | 2021 |
| Roxanne Gay G Tang African American National Biography, 2021 | | 2021 |
| Roots G Tang Shifting Traditions (Berlin: Transnational Queer Underground), 2020 | | 2020 |
| Gather, Connect, Amplify: The Importance of Grassroots Community Building & Dismantling White Middle-Class Public History G Tang Public History News, 2020 | | 2020 |
| Sexuality G Tang The Inclusive Historian’s Handbook, 2019 | | 2019 |
| Tongzhi Hong Kong G Tang Pink Paper, 2019 | | 2019 |
| Reading the Rainbow: The Origins of the Pride Symbol G Tang O Say Can You See? Stories from the Smithsonian National Museum of American …, 2019 | | 2019 |
| The Surprise of a Knight: Excavating Material Legacies through Early Queer Film G Tang Theses and Dissertations, 2019 | | 2019 |
| The Art and Politics of the Dick Pic G Tang Notches, 2018 | | 2018 |
| Insider/Outsider: Engaging Racial Bias & Positionality in Interpretation G Tang, P Green, S Castro Public History News, 2018 | | 2018 |
| Tongzhi: ‘Queer’ Identity Politics in Hong Kong Before and After the Handover G Tang Notches, 2018 | | 2018 |
| Project Showcase: Still Fighting For Our Lives G Tang History@Work, 2018 | | 2018 |
| Of Gods & Emperors: Trans Experiences in Ancient Rome G Tang Notches, 2017 | | 2017 |
| What (Is) It Like…? G Tang OUR_STORY (Berlin: Transnational Queer Underground), 2017 | | 2017 |
| 150 years ago, this queer activist invented sexual identity to stage a public protest G Tang Medium, 2017 | | 2017 |