| MILITARISING MUSIC AND DEMILITARISING THE MILITARY: MAKING SENSE OF “MUSOJA” IN ZIMDANCEHALL MUSIC P Mpofu, C Tembo Muziki 12 (1), 103-121, 2015 | 20 | 2015 |
| Post-independence Shona poetry, the quest and struggle for total liberation C Tembo University of South Africa, 2012 | 17 | 2012 |
| Woman with voice: An analysis of female agency in Dino Mudondo’s song,‘Jatirofa’and Josphat Somanje’s ‘Handibvume’ I Muwati, C Tembo, DE Mutasa South African Journal of African Languages 38 (2), 203-210, 2018 | 4 | 2018 |
| Singing nation and politics: music and the" decade of crisis" in Zimbabwe, 2000-2010 I Muwati, T Charamba, C Tembo Midlands State University Press, 2018 | 4 | 2018 |
| Children’s songs and human factor development: A comparative analysis of Shona children’s songs and imported English nursery rhymes I Muwati, C Tembo, DE Mutasa South African Journal of African Languages 36 (1), 55-64, 2016 | 4 | 2016 |
| Language, voice and literature: expression of African spiritual experience in Zimbabwe’ s Chimurenga war narratives A Viriri | 4 | 2010 |
| Life-affirmation in Chirikure Chirikure’s ‘Europe Vakomana!’ and Greater Mhondera’s ‘Usatye Kani Africa!’ C Tembo, D Mutasa South African Journal of African Languages 39 (2), 126-134, 2019 | 3 | 2019 |
| Traditional oral literature and the socialisation of the Shona (Zimbabwe) girl child: An agenda for disempowerment WL Chigidi, C Tembo Africa Institute for Culture, Peace, Dialogue and Tolerance Studies, 2013 | 3 | 2013 |
| Utilising indigenous knowledge or crime against humanity?: a critical engagement with the debate generated by Alick Macheso's Use of Manhood to Treat Nhova (Sunken Fontanelle) C Tembo, A Maganga, P Dewah Oral History Journal of South Africa 7 (1), 11 pages-11 pages, 2019 | 2 | 2019 |
| Shona proverbial lore, agency and optimism C Tembo | 2 | 2012 |
| A Critical Comparative Study of the Presence of Victimhood in Emmanuel Chiwome's Masango Mavi (1998) and Charles Mungoshi's Walking Still (1997) C Tembo A Masters Dissertation submitted to the Department of African Languages and …, 2006 | 2 | 2006 |
| The intersections of comedy and politics in Zimbabwe: analysing Baba Tencen’s ‘Borderphobia’and Prosper Ngomashi’s ‘Pastor and his wives’ C Tembo, AT Maganga, T Gijimah South African Theatre Journal 35 (2), 79-97, 2022 | 1 | 2022 |
| Existential Nihilism in Ignatius Mabasa’s Poetry: implications for the development of the human factor C Tembo, D Mutasa, AT Maganga Southern African Journal for Folklore Studies 29 (2), 18 pages-18 pages, 2019 | 1 | 2019 |
| Expounding selected Shona novelists’ perspectives on ritual murder AT Maganga, C Tembo The Dyke 9 (1), 17-28, 2015 | 1 | 2015 |
| Autochthony in the Midst of Afro-pessimism in Chirikure Chirikure’s Poetry C Tembo, T Gijimah Africa Institute for Culture, Peace, Dialogue and Tolerance Studies, 2013 | 1 | 2013 |
| Typification of democracy in ancient Shona society: a paremiological perspective AT Maganga, C Tembo African Identities, 1-15, 2024 | | 2024 |
| Honouring and praising mothers through song: analysing selected songs of Zimdancehall artist, Tocky Vibes C Tembo, T Gijimah, AT Maganga African Identities, 1-14, 2024 | | 2024 |
| Guilty at Law: Analysing Simon Chimbetu’s and Paul Matavire’s Memoirs from Prison C Tembo, A Maganga, S Mbwera Imbizo, 16 pages-16 pages, 2023 | | 2023 |
| The politics of colonial residential place names in Zvishavane, Zimbabwe: unmasking European hegemony T Gijimah, C Tembo, AT Maganga African Identities, 1-12, 2023 | | 2023 |
| Visualisation of female characters in Huturu Hwemavanga (Vernom from the Scars), Chakwesha (The Boss) and Nguva Yakaoma (Hard Times) AT Maganga, C Tembo African Identities, 1-14, 2022 | | 2022 |
