| From film adaptation to post-celluloid adaptation: rethinking the transition of popular narratives and characters across old and new media C Constandinides Bloomsbury Publishing USA, 2010 | 90 | 2010 |
| Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe C Constandinides, Y Papadakis Bloomsbury Publishing USA, 2014 | 20* | 2014 |
| Para-adaptation: Or how i learned to stop worrying and love convergence culture C Constandinides Adaptation 6 (2), 143-157, 2013 | 19 | 2013 |
| 5.“You Just Got Covered”: YouTube Cover Song Videos as Examples of Para-Adaptation C Constandinides Adaptation in the Age of Media Convergence, 111-132, 2019 | 4 | 2019 |
| Tormenting history: The cinemas of the Cyprus problem C Constandinides, Y Papadakis Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe 3, 117, 2014 | 4 | 2014 |
| The On-screen Branding and Rebranding of Identity Politics in Cyprus C Constandinides Branding the Nation, the Place, the Product. Edited by Ulrich Ermann, Klaus …, 2018 | 3 | 2018 |
| Postscript: Borders of categories and categories of borders in Cypriot cinemas C Constandinides Cypriot Cinemas: Memory, Conflict, and Identity in the Margins of Europe 3, 207, 2014 | 3 | 2014 |
| From Mexico to Hollywood: Guillermo Del Toro's Treatment of the Undead and the Making of a New Cult Icon C Constandinides Screening the Undead: Vampires and Zombies in Film and Television, 173-189, 2014 | 3 | 2014 |
| Film Remake or Film Adaptation? New Media Hollywood and the Digitizing of Gothic Monsters in Van Helsing C Constandinides Fear, Cultural Anxiety, and Transformation: Horror, Science Fiction, and …, 2009 | 3 | 2009 |
| Introduction: Scenarios of History, Themes, and Politics in Cypriot Cinemas C Constandinides, Y Papadakis Cypriot Cinemas: Memory, Conflict and Identity in the Margins of Europe, 1-30, 2014 | 2 | 2014 |
| Adapting the Literature of the Double: manifestations of cinematic forms in Fight Club and Enduring Love C Constandinides Journal of Adaptation in Film and Performance 2 (2), 95-107, 2009 | 2 | 2009 |
| Towards a transnational turn (?): success stories, transgressive politics, and artistic initiative in recent Greek Cypriot cinema C Constandinides Transnational Screens 13 (1), 48-63, 2022 | 1 | 2022 |
| Cyprus: Transnational Challenges, Opportunities and Compromises C Constandinides, Y Papadakis Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits, 2020 | 1 | 2020 |
| Transnational Views from the Margins of Europe: Globalization, Migration, and Post-1974 Cypriot Cinemas C Constandinides Cypriot Cinemas: Memory, Conflict and Identity in the Margins of Europe, 151-180, 2014 | 1 | 2014 |
| Fan Film and 'Legitimate' Culture: YouTube as a Site of Para-adaptation C Constandinides The London Film and Media Reader I, 328-337, 2013 | 1* | 2013 |
| Erotic Adventures on Aphrodite's Island: Black Emanuelle in Cyprus. C Constandinides The Black Emanuelle Bible, Kier-La Janisse (Ed.) in The Sensual World of …, 2023 | | 2023 |
| Darker Worlds Come in Small Packages: Neo-noir Sensibility in Greek Cypriot Short Films C Constandinides Greek Film Noir, 232-246, 2022 | | 2022 |
| Erotic Adventures on Aphrodite’s Island: The Unofficial Cypriot Black Emanuelle Trilogy and the Film that ‘Increased the Birth Rate in Cyprus’ C Constandinides Cine-Excess ejournal: European Erotic Cinema: Identity, Desire and Disgust …, 2016 | | 2016 |
| Aesthetics, Politics and Form in Greek Cypriot Films:: 1960-197 N Philippou, T Stylianou-Lambert, G Papadakis, C Constandinides Cypriot Cinemas:: Memory, Conflict and Identity in the Margins of Europe, 61-89, 2015 | | 2015 |
| Cypriot Cinemas: Memory, Conflict and Identity in the Margins of Europe, C Constantinides, Y Papadakis | | 2014 |
Yiannis PapadakisUniversity of CyprusVerified email at ucy.ac.cy