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Jeeshan Gazi
Jeeshan Gazi
Verified email at westminster.ac.uk
Title
Cited by
Cited by
Year
Mapping the Metaphysics of the Multiverse in Pynchon’s Against the Day
J Gazi
Critique: Studies in Contemporary Fiction 57 (1), 80-93, 2016
82016
Blinking and Thinking: The Embodied Perceptions of Presence and Remembrance in Gaspar Noé’s Enter the Void
J Gazi
Film Criticism 41 (1), 2017
62017
De/facing race: towards a model for a universal World Comics
J Gazi
Journal of Graphic Novels and Comics 8 (2), 119-138, 2017
42017
Soiveillance: self-consciousness and the social network in Hideaki Anno’s Love & Pop
J Gazi
Surveillance & Society 16 (1), 84-111, 2018
32018
Pynchon’s Nineteen Eighty-Four: Vineland, Film, and the Tragedy of the American Activism of the 1960s
J Gazi
Journal for the Study of Radicalism 10 (1), 27-62, 2016
32016
Race in the age of tribeless youth culture: Rick Famuyiwa’s Dope (2015) and recent shifts in African-American pop culture
J Gazi
Journal of Aesthetics & Culture 9 (1), 1404891, 2017
22017
On Deleuze and Guattari’s Italian Wedding Fake Book: Pynchon, Improvisation, Social Organisation, and Assemblage
J Gazi
Orbit: A Journal of American Literature 4 (2), 2016
12016
Redeeming Kracauer's" Theory of Film": An Examination of the Importance of Material Aesthetics
J Gazi
SubStance 45 (1), 66-80, 2016
12016
Whose roar is it, anyway? Localization and ideological communication with respect to the toho Godzilla franchise
J Gazi
Journal of Aesthetics & Culture 16 (1), 2367264, 2024
2024
Story of the (Virtual) Self: Transmedial Narrative Construction through Social Media Usage
J Gazi
Transmedia Selves, 9-21, 2024
2024
Psychedelic soldiers and tragic surfers: John Milius’ “Apocalypse Now” (1969)
J Gazi
Jump Cut: A Review of Contemporary Media 61 (Fall 2022), 2022
2022
Unknown Soldiers: An analysis of John Milius’ Apocalypse Now (1969) and the autonomy of the screenplay
J Gazi
Shadow Screens: Unmade, Unseen, Unreleased Film and Television, 2022
2022
The critical surf studies reader: edited by Dexter Zavalza Hough-Snee and Alexander Sotelo Eastman, Durham, Duke University Press, 2017, 463 pp., $31.95 (paperback), ISBN 978-0 …
J Gazi
National Identities 23 (2), 210-212, 2021
2021
Realism and (Final) Fantasy: On HD Remakes of Early 3D Console Titles
J Gazi
Cantebury Anifest 2019-The Interactive Animation and Video Games Symposium, 2019
2019
Pynchon's Nineteen Eighty-Four.
J GAZI
Journal for the Study of Radicalism 10 (1), 2016
2016
This is the pre-print version of the article, if citing please read and refer to the final
J Gazi
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