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- Daisy FancourtUniversity College LondonEmail verificata su ucl.ac.uk
- George WaddellPerformance Research and Innovation Fellow, Centre for Performance Science, Royal College of MusicEmail verificata su rcm.ac.uk
- Livia A. CarvalhoLecturer in Clinical PharmacologyEmail verificata su qmul.ac.uk
- Steptoe AUniversity College LondonEmail verificata su ucl.ac.uk
- Jane GinsborgProfessor of Music Psychology, Royal Northern College of MusicEmail verificata su rncm.ac.uk
- Sara AscensoLecturer, Royal Northern College of MusicEmail verificata su rncm.ac.uk
- Lisa AufeggerImperial College LondonEmail verificata su imperial.ac.uk
- John RothwellProfesor of Human Neurophysiology, UCL Institute of NeurologyEmail verificata su ucl.ac.uk
- Liliana AraujoMcGill UniversityEmail verificata su mcgill.ca
- Laura RitchieProfessor of Learning and Teaching, University of ChichesterEmail verificata su chi.ac.uk
- Tania LisboaReader in Performance Science and Digital Learning, Royal College of MusicEmail verificata su rcm.ac.uk
- Emma ReddingTrinity Laban Conservatoire of Music and DanceEmail verificata su trinitylaban.ac.uk
- Gunter KreutzProfessor für Systematische MusikwissenschaftenEmail verificata su uol.de
- Rafael Ramirez-MelendezUniversitat Pompeu FabraEmail verificata su upf.edu
- Isabelle CossetteMusic, McGill UniversityEmail verificata su mcgill.ca
- Danilo MandicProf. of Machine Intelligence, Dept of Electrical and Electronic Eng., Imperial College London, UKEmail verificata su imperial.ac.uk
- Gary E McPhersonOrmond Professor of MusicEmail verificata su unimelb.edu.au
- Sergio GiraldoPompeu Fabra UniversityEmail verificata su upf.edu
- Jane DavidsonProfessor of Creative and Performing Arts, the University of MelbourneEmail verificata su unimelb.edu.au
- Clemens WöllnerProfessor für Systematische Musikwissenschaft, Hochschule für Musik FreiburgEmail verificata su mh-freiburg.de